Tonight I saw Kong: Skull Island, starring Tom Hiddleston and Brie Larson.
Self-proclaimed "crackpot" scholars convince the U.S. military to escort them to an uninhabited island in the South Pacific. They use topography as their excuse, but really at least one of them knows what may be out there.
After a harrowing helicopter ride—which we all feel we participated in—we meet Kong. Gigantic, ferocious, angry as hell, Kong. Perhaps the best beast of all time, and he's going strong.
Of course, you never want to poke the bear, which is what this group has unintentionally done, so they're in big trouble very early on.
The British officer, played by Hiddleston, isn't just all good looks—he's the brains when the team needs to develop a plan ASAP to survive. And he soon befriends an (equally gorgeous) anti-war photographer played by Brie Larson, to back him up.
Silly as it sounds, I enjoyed the heck out of this film.
Though the basic premise is obvious (do no harm; things aren't always as they seem), there are surprises along the way, both human and otherwise, that keep the story moving at a pleasingly fast pace. And the special effects are amazing.
The romance never quite develops between the two pairs that we start to suspect will unite, but my guess is that they're saving that for the sequel(s). Though, this kind of is one?
Regardless, if you want to lose yourself in something mindful, but not dumb, go ahead and make the leap with Kong. His sheer magnificence will impress you.
~~~
Showing posts with label John Goodman. Show all posts
Showing posts with label John Goodman. Show all posts
Thursday, March 09, 2017
Saturday, March 12, 2016
10 Cloverfield Lane
This morning I saw 10 Cloverfield Lane, starring Mary Elizabeth Winstead and John Goodman.
Michelle (Winstead) has decided to move on and sets out on the road with a bag of stuff that doesn't include her engagement ring. It's not clear where she's headed (except that she most likely won't be going back).
After a heart-stopping surprise event, she ends up in an underground bunker with Howard (Goodman), a doomsday conspiracy theorist who claims to be saving her from chemical warfare outside. But is he telling the truth? Or is he telling her what he believes to be true, but has little basis in reality?
Michelle soon learns she's not the only captive of Howard's, as Emmett (John Gallagher Jr.) emerges from the next room. He's a decent guy, if not a bit simple, and soon becomes a strong ally for her.
What's great about this film is that just when you think it's going to get formulaic, the screenwriter turns everything upside down and changes your mind. Over and over again.
Michelle's quest to learn the truth gets her in trouble, but that doesn't slow her pursuit. She's always one step ahead of her captor, though he's bigger and stronger and perhaps psychotic. Not to get too feminist-y, but I found it incredibly refreshing that the girl was the smartest in the room. And she was the youngest of the bunch, too.
I can't tell you what transpires or who survives, but I can tell you that if you go to this movie, you'll be on the edge of your seat for the full 105 minutes. Enjoying the clever, well-acted, well-scripted thrill ride.
~~~
Michelle (Winstead) has decided to move on and sets out on the road with a bag of stuff that doesn't include her engagement ring. It's not clear where she's headed (except that she most likely won't be going back).
After a heart-stopping surprise event, she ends up in an underground bunker with Howard (Goodman), a doomsday conspiracy theorist who claims to be saving her from chemical warfare outside. But is he telling the truth? Or is he telling her what he believes to be true, but has little basis in reality?
Michelle soon learns she's not the only captive of Howard's, as Emmett (John Gallagher Jr.) emerges from the next room. He's a decent guy, if not a bit simple, and soon becomes a strong ally for her.
What's great about this film is that just when you think it's going to get formulaic, the screenwriter turns everything upside down and changes your mind. Over and over again.
Michelle's quest to learn the truth gets her in trouble, but that doesn't slow her pursuit. She's always one step ahead of her captor, though he's bigger and stronger and perhaps psychotic. Not to get too feminist-y, but I found it incredibly refreshing that the girl was the smartest in the room. And she was the youngest of the bunch, too.
I can't tell you what transpires or who survives, but I can tell you that if you go to this movie, you'll be on the edge of your seat for the full 105 minutes. Enjoying the clever, well-acted, well-scripted thrill ride.
~~~
Sunday, January 05, 2014
Inside Llewyn Davis
Today I saw Inside Llewyn Davis, starring Oscar Issac and Carey Mulligan.
Llewyn Davis (Issac) is a 'starving artist' musician in New York. The year is 1961; the mood is grim.
Jean (Mulligan) and Jim (Justin Timberlake) are fellow folk singers who run in the same circles as Llewyn, and Llewyn may or may not have impregnated Jean. This is only one of the apparent many reasons that she hates him.
Davis seems to have a case of perpetual bad luck, but it's terribly hard to sympathize with him because his demeanor is so unappealing. You've met those people—the ones who whine and whine and act as if they're the only person in the world that has to struggle? That's the type of sad sack that Davis encompasses.
So… light attracts light and dark attracts dark. When you fall into a tunnel of darkness and refuse to climb out of it (or lose the will to at least try), you'll only spiral further down. And Davis, who couch surfs his way though his miserable life, is one big ball of darkness.
Jean is so full of venom that we barely even notice when Mulligan's American accent slips or her character tries to do a nice thing for Llewyn. We're way past her by then, having coated us in such anger.
That leaves the brief (but shining) performances by Timberlake and John Goodman to keep things light, and for a few moments they do. Timberlake leading the best song in the film, "Please Mr. Kennedy," and Goodman a passenger on the road trip from hell. Both brilliant performances that gave great flavor to the film.
I can't pretend the Coen brothers haven't done better. This isn't in the same ballpark as No Country for Old Men or The Man Who Wasn't There, but it's not terrible either.
Just make sure you see it when you're in a bright mood or it might bring you down.
~~~
Llewyn Davis (Issac) is a 'starving artist' musician in New York. The year is 1961; the mood is grim.
Jean (Mulligan) and Jim (Justin Timberlake) are fellow folk singers who run in the same circles as Llewyn, and Llewyn may or may not have impregnated Jean. This is only one of the apparent many reasons that she hates him.
Davis seems to have a case of perpetual bad luck, but it's terribly hard to sympathize with him because his demeanor is so unappealing. You've met those people—the ones who whine and whine and act as if they're the only person in the world that has to struggle? That's the type of sad sack that Davis encompasses.
So… light attracts light and dark attracts dark. When you fall into a tunnel of darkness and refuse to climb out of it (or lose the will to at least try), you'll only spiral further down. And Davis, who couch surfs his way though his miserable life, is one big ball of darkness.
Jean is so full of venom that we barely even notice when Mulligan's American accent slips or her character tries to do a nice thing for Llewyn. We're way past her by then, having coated us in such anger.
That leaves the brief (but shining) performances by Timberlake and John Goodman to keep things light, and for a few moments they do. Timberlake leading the best song in the film, "Please Mr. Kennedy," and Goodman a passenger on the road trip from hell. Both brilliant performances that gave great flavor to the film.
I can't pretend the Coen brothers haven't done better. This isn't in the same ballpark as No Country for Old Men or The Man Who Wasn't There, but it's not terrible either.
Just make sure you see it when you're in a bright mood or it might bring you down.
~~~
Saturday, November 03, 2007
Bee Movie
This morning I saw Bee Movie, featuring the voices of Jerry Seinfeld and Renee Zellweger.
What a breath of fresh air!
Full disclosure: I'm not a huge animation fan. In fact, save for The Simpsons Movie, I don't think I've seen an animated film in the theater since the anniversary of Yellow Submarine, so seeing this today was somewhat out of the ordinary for me. I'm glad I followed my instinct and ignored my self-imposed snobbiness though, because I really would have missed out on something great if I'd passed it up.
The story begins with Barry (Seinfeld) graduating from beehood and preparing to enter the job force, which basically consists of making honey exclusively. Adventure-seeker that he is, before he finalizes his career choice, he takes a trip outside the hive to see what the human world is like. While he's there (in present-day New York City), he falls in love with a human, Vanessa (Zellweger), and discovers the travesty that is bee slavery as he flies past the honey aisle at the grocery store.
What commences is somewhat of an animated genius that includes all of the components of a live-action Hollywood film: a sweet romance, courtroom drama, suspenseful action sequences, surprising celebrity cameos and a wink of an ending.
The voices are distinct (who could miss Chris Rock as the cunning mosquito?) but not at all distracting. Particularly great is John Goodman as the fat human defense attorney. And what's more, there are just as many jokes for the adults to laugh at as there are for the kids.
Go see this one in the theater—the bright yellow hues of the 'sets' cast a sunny glow on the whole production, which is nothing short of charming.
What a breath of fresh air!
Full disclosure: I'm not a huge animation fan. In fact, save for The Simpsons Movie, I don't think I've seen an animated film in the theater since the anniversary of Yellow Submarine, so seeing this today was somewhat out of the ordinary for me. I'm glad I followed my instinct and ignored my self-imposed snobbiness though, because I really would have missed out on something great if I'd passed it up.
The story begins with Barry (Seinfeld) graduating from beehood and preparing to enter the job force, which basically consists of making honey exclusively. Adventure-seeker that he is, before he finalizes his career choice, he takes a trip outside the hive to see what the human world is like. While he's there (in present-day New York City), he falls in love with a human, Vanessa (Zellweger), and discovers the travesty that is bee slavery as he flies past the honey aisle at the grocery store.
What commences is somewhat of an animated genius that includes all of the components of a live-action Hollywood film: a sweet romance, courtroom drama, suspenseful action sequences, surprising celebrity cameos and a wink of an ending.
The voices are distinct (who could miss Chris Rock as the cunning mosquito?) but not at all distracting. Particularly great is John Goodman as the fat human defense attorney. And what's more, there are just as many jokes for the adults to laugh at as there are for the kids.
Go see this one in the theater—the bright yellow hues of the 'sets' cast a sunny glow on the whole production, which is nothing short of charming.
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