Today I saw Her, starring Joaquin Phoenix and Amy Adams.
If you've ever panicked, thinking you've lost all the data on your smartphone, remember how fast your heart beat in those moments, and then think how much faster your heart would beat if you thought you were losing a relationship in there too. That's what's at stake for the virtual lovers in Her.
Theodore (Phoenix) writes letters for a living. Heartfelt, beautiful letters that get sent the old-fashioned way since our society has given up doing so. He is sadly separating from his wife (Rooney Mara), who we at first only see in brief flashbacks that make us wonder why their love died.
Though his profession clings to the nostalgia of the past, his life revolves around the technology of the future. Though he's barely social with humans anymore, he does sign up for an Operating System (OS) personal assistant and soon develops feelings for Her (the voice of Scarlett Johansson). She goes by the name Samantha. Amy (Amy Adams) is Theodore's closest human friend and she is just glad he's got a thirst for life again.
Soon the feelings between Theodore and Samantha are "mutual" and they become a fashionable couple. They have steamy phone sex, go on double dates with fully human couples—hell, she even shops for him. Though as I write this, it sounds absurd, the dynamic is not so unbelievable when presented on screen.
Aside from Joaquin's overacting (which happens throughout in his exaggerated facial expressions), the story borders on sweet. Theodore is a nice enough guy, and what harm is it doing for him to keep company with his computer, right?
Well, the Big Looming Lesson here is that our world is becoming too disconnected as we try to perpetually stay connected. Nothing can replace human love or interaction; not even an entity programmed to our specifications.
Director Spike Jonze also makes a point of showing countless wide open spaces (both in nature and indoors), which illustrate how hollow our landscape is; certainly meant to be a metaphor for our hearts in this modern world.
Johansson did a fine job with the voice of Samantha, but I have to wonder if the effect might have been greater if an unknown actress (who we couldn't picture so easily) had played the part.
It's an interesting (and timely) concept to explore the obsession we have with technology; I only wish this had been more multidimensional and less preachy.