Last night I saw all five of the nominated films in the Live Action Short category. I'll present my reviews in the order they were shown.
AVE MARIA (Palestine, France and Germany)
Of all the things Orthodox Jewish settlers could crash into in the West Bank, a convent of Catholic nuns is unlikely. But that's what happens here when a family trip takes a turn (literally) into one. Problem is: the nuns have taken a vow of silence and due to the Sabbath, the family is unable to use the telephone to call for help. Through a series of comedic events, the two groups together find a surprising solution. The one is light and the story is cute; I just don't think I'd consider this Oscar caliber material.
SHOK (Kosovo and UK)
Amidst the Yugoslav wars two young boys form a deep friendship that is tested repeatedly by the pressures of the time. Instead of making choices about what games to play each night, they're faced with much more grim decisions—some even a matter of life and death. The film is about war, but above all else, about love. Though hard to watch because of the subject matter (these horrors took place not long ago, after all), it's expertly done with two lead actors that deliver on every note.
EVERYTHING WILL BE OKAY (Germany and Austria)
A divorced couple shares custody of their young daughter. The father comes to pick the girl up for a routine weekend and the tension between the parents is evident. The father quickly takes his daughter shopping to spoil her with new toys, then makes a trip to the nearby bumper cars for additional fun. Things only go sideways when he tricks her into taking passport pictures at a nearby photo booth. The girl soon realizes they're not having a normal weekend and calls him out on it. Just how far (and how fast) this weekend goes off the rails is what makes this my pick for the Oscar. I don't think I breathed for the last 10 minutes. It was that good.
STUTTERER (UK and Ireland)
There have been six months of flirtatious Facebook bliss for a couple and now there's a chance for them to meet. The man has reservations because he suffers from a severe stuttering problem—so much that he's learned sign language to imply to strangers that he's simply deaf. As the day approaches, he at first hides, then practices his speech, hoping not to disappoint this love of his life. It's a sweet, sometimes funny story with a lot of heart.
DAY ONE (USA)
An Afghan-American interpreter is assigned to an Afghanistan tour of duty with the U.S. military, and on her first day the team is sent to investigate a report of bombs in a nearby residence. As the weapons are found and the man of the house is being arrested, his wife goes into labor—with complications. As the only woman present, the interpreter has to begin acting as a doctor to save the mother and baby.
This was the only of the five films where people actually got up and left the theater. It was incredibly intense and touched on several sensitive subject matters (religion, birth, war, death, etc.). But I stuck it out and was glad I did, if not only for the life-affirming ending, but the photo of the real interpreter, for which the film was based, that appears at the end.