Tonight I saw Loving, starring Ruth Negga and Joel Edgerton.
It was the summer of 1958 when Richard Loving (Edgerton) married the love of his life, Mildred (Negga). They had the ceremony in Washington, D.C. because their home state of Virginia had banned interracial marriage, and they were two different races: Richard, white; Mildred, black.
Just five weeks after their happy nuptials, the couple were arrested in their own bedroom for violating the Racial Integrity Act. Their choice from the judge, after pleading guilty, was to either serve a year in prison or flee the state. So, they packed up and moved a few hours away to Washington.
But life wasn't the same in the city as it was in the country. They weren't near their families; their three children had no yard to play in. They lived there for nine years, before their fight made any progress. Mrs. Loving wrote a letter to Bobby Kennedy, who was the Attorney General at the time, and he referred her to the American Civil Liberties Union. Lawyers with the ACLU took the case, and the rest is history.
What's wonderful about this film is the authentic feel it brings to the memory of this true-life couple. They were good, decent, simple people who just fell in love and wanted to do right by their feelings. No matter what hostility they faced from the law or from racists in their town, their decision to stay together was never in question. They were the very definition of the perfect American family: Dad had a respectable blue-collar job, Mom was an excellent homemaker, the kids were smart and well-behaved.
What Jeff Nichols conveys so well in both his screenplay and his direction is the very absurdity of the situation. While real crimes are being committed and a nation is struggling to recover from a beloved president's assassination, small-minded folks are concerned about a squeaky-clean family simply living their lives. He builds tension when they are hunted and displays tenderness in their quiet moments, all the while making you feel like you're surviving along with them in the humid summer heat. It's absolutely superb.
The performances from the leads are brilliant and a nice cameo from Michael Shannon as a Life Magazine photographer is a welcome addition.
Please go see this film. Especially in our country's current political climate—it unfortunately couldn't be more timely.