Tonight I saw At Eternity's Gate, starring Willem Dafoe and Rupert Friend.
The famed painter Vincent Van Gogh (Dafoe) was not accepted as the artistic genius he was during his time on earth. The connection he felt to nature and the closeness he felt to his work weren't fully appreciated while he was alive, but this film aims to validate those aspects of his career.
Filmed on location in Arles, France, where Van Gogh spent his final weeks, Director/Co-Screenwriter Julian Schnabel puts the viewer in a stream-of-consciousness time machine that offers a glimpse of how the artist absorbed and visually shared his surroundings. A friend described the movie as "hypnotic" and that to me was the perfect interpretation of the vibe.
Dafoe, moving easily between English and French throughout the narrative, was captivating as the troubled painter. Aside from physically resembling the real artist (which undoubtedly helps), his manner, the confusion behind his eyes, his passion—it all made us viewers sure we were stealing an intimate look at one of the most fascinating characters in all of art history.
Though the pace is slow and the story not entirely linear (except that it's chronological), it keeps your attention, as you want to know why Van Gogh felt the things he felt and acted the way he did.
There's tragedy in the suffering his mental illness causes; there's sadness in the lack of recognition he received while he was in his prime, but most off all there's light in the beautiful landscapes and people he brought to life through his timeless paintings.
That's what's illuminated so magically in this film.