Showing posts with label Beauty and the Beast. Show all posts
Showing posts with label Beauty and the Beast. Show all posts

Saturday, March 25, 2017

Beauty and the Beast

On Thursday I saw Beauty and the Beast, starring Emma Watson and Luke Evans.

"There must be more than this provincial life," sings Belle (Watson) as she begins another day in her tired little French town. She, like so many, is dissatisfied with her surroundings. The books in which she escapes give her glimpses of places far more more interesting. She longs to be a part of them.

Her dad, Maurice (played by a perfectly cast Kevin Kline) is the town eccentric, and has doted on his daughter since she was born. Now, as an adult, Belle has become a feminist before her time, fending off the advances of the narcissist, Gaston (Evans) and dreaming of new possibilities.

When Maurice is taken prisoner by a ferocious beast (Dan Stevens) in a faraway castle, Belle attempts to rescue him and trades herself in his place. This is where the story truly begins.

What Belle doesn't know is that underneath the fur is a prince—one who behaved so badly a spell was cast upon him. The only way to break it is for him to fall in love and be loved in return. Conspiring to make a match between Belle and the Beast are various household fixtures like Mrs. Potts (Emma Thompson), who is now a teapot, but once was a normal woman.

It's a "tale as old as time" and one of the most beloved to say the least. As a huge fan of the animated classic, I cringed when I heard they were making this into a live action picture, but once I saw the cast I breathed a little and got over it.

I very much enjoyed this version; there is something in emotion that can't be captured in animation, so the love and romance is more effective here. Where I prefer the original is in the music.

As an actress, Emma Watson is brilliant. She's sincere, she's likable—her intelligence permeates every role she's in and Belle is no exception. But the shortcuts that were taken in her song arrangements left me wanting more. I found myself humming the ending bits that were cut off—in most cases the climactic notes of the songs.

I also felt a bit of the art direction could have been more spectacular. The sequence for "Be Our Guest" was a little too disco and starved for classy grandeur; the library that has Belle gasping at its magnificence we only see a few underwhelming frames of before the two are nose-down in books.

I will always make time for Beauty and the Beast no matter what its format. If you see this one, be sure to take in all of its strengths—Kevin Kline, Luke Evans, the chemistry between Watson and Stevens, and the clever winks amongst the household fixtures.

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Saturday, January 21, 2012

Beauty and the Beast in 3D

Last night I saw the animated classic Beauty and the Beast in 3D.

I loved the film the first time I saw it, became addicted to its infectious soundtrack and even dressed as Belle for Halloween. Seldom does an animated film capture me so.

Belle is a village girl who loves books and her eccentric father, Maurice. Gaston is the macho man of the town who wants Belle to be his wife.

Maurice is a confused inventor who accidentally ends up in the castle of the Beast, a former prince under a nasty spell that can only be broken by finding true love.

The Beast, so bitter about his situation, takes Maurice as his prisoner until Belle finds him and offers herself in his place. The Beast allows the switch, hoping that Belle will learn to love him and break the spell.

His lively staff of servants (a teapot and her young son; a candlestick, etc.) hope for the best (they'd like to be turned back into humans too) and welcome Belle with open arms. In fact, one of the shining moments in the film is the song "Be Our Guest," where the kitchen comes to life with an impressive song and dance as they serve Belle her first dinner.

Anyhow, most know how the story turns out, but just in case there are any left who don't, I'll refrain from spoiling.

Just know that the magic and beauty of the original version of the film is only intensified by this 3D treatment, and the story remains charmingly timeless.

It's not hard to tell why it was a Best Picture Oscar nominee—as you're watching, you sometimes forget you're seeing animation.

It's that good.

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