Showing posts with label Kate Winslet. Show all posts
Showing posts with label Kate Winslet. Show all posts

Sunday, January 13, 2019

Titanic


Today I saw Titanic, starring Kate Winslet and Leonardo DiCaprio.

I’ve reviewed the film twice before, so I won’t do another formal write-up, but I will say that seeing this film on the big screen never gets old or disappoints. Hearing the crowd react to the various now-legendary scenes is always a delight.

I can’t wait until the theaters find another excuse to host an additional showing.

Sunday, November 22, 2015

Steve Jobs

Two weeks ago I saw Steve Jobs, starring Michael Fassbender and Kate Winslet.

I fully admit that I've always been "a Mac." My first computer was a Strawberry Fields-colored iMac and every computer I've since owned has also been a Mac. I'm a very satisfied customer. I'm also faithful to Apple—owning both iPods and iPhones in my time. Again, having no regrets.

So perhaps I went into this film with a bias in favor of its subject.

That really shouldn't matter because I'll be the first to say it's not a perfect film. The main thing that bugged me was the fact that they really didn't care to stick too close to the truth. The entire film is structured around launches that were important in the tech legend's career, yet most of the situations surrounding them (with the exception of the public-facing moments) never happened. True, Jobs (Fassbender) had a rocky relationship with his daughter Lisa. True, his marketing maven Joanna (Winslet) was one of the few people who could call him on his BS. Not true, business partner Steve Wozniak (Seth Rogan) approached him before each launch and argued in public.

There are other sentimental details that were all the work of screenwriter Aaron Sorkin, but I won't mention them here in case you'd like to immerse yourself in the fake magic.

All of that aside, of course the acting is phenomenal. Fassbender and Winslet should do more films together because their chemistry crackles. The writing style is classic Sorkin, meaning it's never boring and always more fast-paced than most people have time to project. It's fun to watch, regardless of what you thought of the man or the myth.

It will come as no surprise that I regard Jobs as a genius, and greatly respect his legacy. Perhaps I'll have to wait for a documentary to see the perspective I'm craving.

~~~



Saturday, March 01, 2014

Labor Day

Today I saw Labor Day, starring Kate Winslet and Josh Brolin.

Adele (Winslet) is a single mother to Henry (Gattlin Griffith), and has such severe depression, she seldom leaves her home. Only when she has to tend to Henry's needs, does she depart.

Frank (Brolin) is an escaped convict who takes the two hostage and demands a safe haven as the manhunt for him begins. In their sleepy New Hampshire town, there are only so many places he could be (especially since he was injured during the escape), so one does wonder why there are no door-to-door searches.

That aside, I fully admit that I found this film completely satisfying.

Winslet recalls the pain she showed in Revolutionary Road, but plays it more understated this time. She's terrified of her intruder, but also drawn to what appears to be his kindness. Brolin is brooding, yet tender and Griffith is alternately horrified and curious. They all hit the right notes.

The longer Frank stays at the family home, the more useful he becomes. His handyman skills are put to use and for reasons we never learn, he's also an amazing cook/baker. As the film turns from suspense thriller to love story, we go with it. If someone as damaged as Adele really did receive a dangerous criminal in her home, who happened to be handsome and helpful, she may just fall for him. Hell, I would.

While other critics have nit-picked the obvious flaws (Frank is often outside; the townspeople are nosy but never discover him), the oversights didn't bother me here. I enjoyed spending time in this world; watching them drink Yuban coffee, bake peach pies and play vinyls on a record player while life just kept happening.

I'll be happy to watch this again.


Saturday, April 07, 2012

Titanic

Today I saw Titanic in 3D, starring Kate Winslet and Leonardo DiCaprio.

The story tells of a fictional love between first-class Rose (Winslet) and poverty-stricken Jack (DiCaprio) who meet on the doomed real-life ship, the Titanic.

When I saw the film for the first time as a college student in 1997, and then repeatedly throughout 1998, I was drooling over DiCaprio and immersing myself in the history of the actual shipwreck. To me, every part of the movie was magical. The incredible detail of the sets and props; the uncanny resemblance between the actors and the real people they portrayed; the horror of the mammoth ship sinking. For a running time in excess of three hours, the pace went amazingly fast and not a moment was wasted on unnecessary scenes.

Today, as the 100th anniversary of the shipwreck nears, I found it just as effective.

Sure, it's fashionable to hate anything that is this successful—and even more so to trash 3D versions of older movies—but I could really care less about people with those 'opinions.' There is a reason Titanic is so successful, folks. And as for directors who know what they're doing when it comes to 3D, James Cameron is at the top of the list.

I liked seeing Leo and Kate dance a jig up-close; and loved seeing the ship practically jump into our laps as it drastically sunk, but I'm not saying the effects were overbearing. The 3D portion was done so masterfully, that for most of the movie, I forgot it was there. To me, the less trickery the better, so this was ideal.

It was also lovely to watch the young Leo and Kate shine in their leading roles, supported by the hilarious Kathy Bates and the sneering Billy Zane. It felt like going to a family reunion of sorts.

Though I agree with critics that don't think every movie should be re-purposed in 3D, as far as this one was concerned, it was a good call.

What a treat to have another excuse to see such a great production on the big screen.

~~~

Friday, January 09, 2009

Revolutionary Road

Tonight I saw Revolutionary Road, starring Leonardo DiCaprio and Kate Winslet.

It was the topic of Cinebanter #66, which is available here.

Monday, January 05, 2009

The Reader

Tonight I saw The Reader, starring Kate Winslet and David Kross.

Based on the bestselling book by Bernard Schlink, the story begins in Germany when Michael (Kross) falls ill on the way home from high school and is found by Hanna (Winslet), an older woman who works on the local trains. She cleans him up and helps him to his home—a random act of kindness not soon forgotten by the boy, who returns three months later when he recovers to offer her flowers in gratitude.

One thing leads to another and the two become passionate lovers. However, it's not just an affair based on sex; it's a meaningful relationship filled with endless lovemaking that's precluded by the young man reading to his partner. Hence, the title.

Before I go any further, I'm in agreement that seeing a film where a woman in her mid-thirties teaches a teenage boy how to make love may seem embarrassing, but let me reassure you that the scenes between Winslet and Kross are incredibly tender, yet sensual, and do the original book every justice (note: I read it years ago and loved it, so I was prepared to be let down by the film). In fact, watching them act so convincingly makes you want to grab a lover and re-invent foreplay with a couple of classic novels. But I digress...

The lovers part before the boy becomes a man and he doesn't encounter Hanna again until he is a law student several years later, sitting in on a Nazi crime trial in which she is a defendant. It seems she was once an Auschwitz prison guard.

From there, the film is a collection of spoilers so I will tell the story no further, but I have to say that if this isn't the year Winslet takes home the Oscar, for this role, there is a conspiracy brewing in the Academy.

She is beyond phenomenal as a tough, yet tender woman following suit in life, making bad decisions she knows are wrong in her heart but is not wise enough to correct. The amount of acting Winslet does in her expressions would allow one to turn off the sound and still feel the gravity of the emotion in the film. I've liked her in every role I've seen her in, but I don't know that she's ever been this good.

Also wonderful is the young David Kross (so young in reality, they had to wait for his 18th birthday to shoot his graphic sex scenes with Winslet), who shows the right balance of innocence and pain as their lives unfold.

Finally, I never thought I'd envision the man who played the most convincingly horrific Nazi 14 years ago, turn the tides and be just as authentic as a citizen shocked by the brutality of the Holocaust. Bravo, Mr. Fiennes.

I can't think of many ways this story could've been told better—and that's why for me it ranks as one of the best films of 2008.

Sunday, November 25, 2007

Titanic

Today, in honor of my birthday, I saw Titanic.

And no, I'm not talking about the DVD version—I mean I saw it on the big screen again. In fact, on the biggest screen I've ever seen it.

My local Cinerama is having a 70mm series and today they just happened to be showing this film, which I happen to love.

And you know what? It ages well.

Although I know every twist and turn that's going to occur (from my original repeated viewings of it when it was released nearly a decade ago), the suspense, romance and sadness are all still present in heavy doses.

I suppose this means the heart really does go on...

Thursday, November 30, 2006

The Holiday

Last night I braved the Seattle snow storm to see a screening of The Holiday starring Kate Winslet and Jude Law.

Is it predictable? Yes. Formulaic? Of course. Charming? Yeah—that too. And that's why I forgive its cookie-cutter-composition. Because it made me feel good.

All of the Bridget Jones comparisons will be fair—right down to the details (Winslet's 'Iris' is even a writer), but that doesn't make it any less enjoyable to watch.

We have two couples that have suffered cheating (anchored by Jack Black and Cameron Diaz), one office romance gone-wrong (the source of Winslet's distress) and one dashing Brit with a secret (Law). And to top it off, all of our players are wealthy or at least upper-middle class. The story couldn't be easier to compose, but we still find ourselves rooting for certain characters and booing at the rest.

Go into this film with high expectations and you may get irritated with its simplicity, but if you go in ready to have a good time you'll come away with a smile on your face.

And really—who can say that Jack Black and Kate Winslet don't make the most adorable couple ever?

Saturday, November 18, 2006

Little Children

Last night I saw Little Children starring Kate Winslet and Patrick Wilson.

It was the most complex, realistic and human movie I've seen all year.

The setting—American suburbia—is perfectly executed in the catty behavior of the soccer moms and the weekly football games the men play as an escape.

At first the movie is funny, complete with voiceovers that actually work and a steamy romance that you root for. Then, the movie turns dark as you find yourself alternately sympathizing with and being disgusted by the town pedophile, portrayed brilliantly by Jackie Earle Hayley.

It all comes to a climactic end when the characters each discover their individual destiny and take action to live them out. It makes you think, it makes you laugh and it makes you cry. The problem that I had with it was that the entire movie seemed to be illustrating why some things are just meant to be, yet the ending doesn't pay that theory off.

Nonetheless, it's another fantastic journey from Todd Field that carries us through the American experience with fierce authenticity.

To hear me and Michaelvox discuss this in Cinebanter 14, click here.