The Beguiled

Yesterday I saw The Beguiled, starring Colin Farrell and Nicole Kidman.

Corporal John McBurney (Farrell) fell into the Union army by way of desperation—he'd just arrived from Ireland without a penny to speak of, so while he was up for the job, he didn't have a specific affinity to either American side. When he is wounded in battle, a young girl finds him bleeding and helpless in the woods. She does the "Christian" thing (as they often mention), although he is from the opposite side, and brings him to safety at the girls' seminary where she lives.

The seminary is run by strict headmistress Martha (Kidman) who immediately mends his wound, cleans him up and transforms the music area into a makeshift bedroom for him. Soon all the young girls, and their teacher Edwina (Kirsten Dunst), are smitten with their guest, bending over backwards to see to his comfort.

He is grateful and gracious—gentle with the young girls and flirtatious with the women. His wound heals nicely and it is determined that it's not appropriate for him to remain, so (sexual) tensions rise as the group knows their time with him will end soon.

There is rivalry, violence, betrayal and heartbreak as the truth unfolds. To say any more would be to spoil, so I'll just mention that the soft, pearly light that Sofia Coppola always casts over her movies with works well here. Instead of being a raw, dusty war-time drama, it feels more like an occasional thriller with some splashes of romance that hang in the air like a misty Southern fog.

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Spider-Man 3

Tonight I saw Spider-Man 3, starring Tobey Maguire and Kirsten Dunst.

It was the topic of Cinebanter 30, which is available for download here.

Marie Antoinette

Last night I saw Marie Antoinette, an exhilirating, realistic glimpse of the subject's life during her time in France.

Kirsten Dunst makes a perfect Marie—naughty and naive as a youth, clever and indulgent as a queen, and brave and sensible as a target of immense hatred. It's easily her best role yet. And her supporting cast is great too. From the sexually challenged Louis XVI (Jason Schwartzman) to the sexually charged Madame du Barry (Asia Argento), each actor fulfills their role and then some.

Sofia Coppla's writing style is brilliant. Every bit of dialogue sounds like words that would actually come out of the mouths of the historical characters, which makes it easy to follow. The fast-paced, blink-and-you'll-miss-it scenes are reminiscent of Baz Luhrman's William Shakespeare's Romeo and Juliet, but not as dizzying.

The authentic sets (i.e. the actual palace where the actual Marie Antoinette reigned), coupled with extravagant costumes that are sure to attract attention during awards' season, make the viewer feel as if they're a party attendee rather than an audience member.

Can you tell I had a good time at this film? Well, I did.

That of course doesn't mean that it's perfect, because it's not. The pace in the beginning is frightfully slow and the time spent dwelling on the young couple's non-existent sex-life is too lengthy, but the payoff of an engaging middle and exciting end (though we all know how the story turns out before we arrive at the theater) makes it a worthwhile way to spend two hours.

Just go see it.