Today I saw Mandela: Long Walk to Freedom, starring Idris Elba and Naomie Harris.
The life of South African leader Nelson Mandela is inspiring under any lens, but actor Idris Elba brings a special spirit in his portrayal of the peacemaker in this film.
From the early scenes of him as a womanizer during his first marriage, to the angry scenes as his activism took flight in his 30s and on to the duration of his imprisonment, Elba nails it. His passion, his patience, his love, his grace.
Alongside him throughout the film was Naomie Harris, playing his second wife Winnie. Harris shows the fire within Winnie that fuels her ability to change the world. She did too, after all, though her tactics weren't always as kind.
The details we see here show more of the personal side of Madibe (as he is more often called); the father who didn't know his kids as they grew; the husband who never stopped loving his wife, though he couldn't physically touch her for 21 of his 27 years in prison. The time he lost will always be heartbreaking, no matter how many times we remind ourselves he had a happy ending (and speaking of happy endings: don't miss the end credits featuring a U2 song over real photos of his life).
In our modern, selfish world it's difficult to contemplate the integrity of someone so morally focused. Inconceivable to imagine the sacrifice of one's prime years in life, though it's painfully refreshing to watch.
As some of the scenes during his imprisonment lingered on quietly, I began fidgeting in my seat, mentally preparing to make a note of the slow pace for this review. And then it dawned on me: the filmmakers are trying to convey a 27-year imprisonment of an innocent man in less than three hours.
Shame on me for even considering a criticism of wasted time.
~~~
Showing posts with label South Africa. Show all posts
Showing posts with label South Africa. Show all posts
Sunday, December 29, 2013
Friday, December 18, 2009
Invictus
Tonight I saw Invictus, starring Morgan Freeman and Matt Damon.
At the start of the film, Nelson Mandela (Freeman) is just being released from prison and assuming his role as the South African President.
He knows that as he forgives a nation that imprisoned him, he also needs to earn the respect and support of the very people he's forgiving and unify South Africa. Instead of going the traditional route of politics (or not even trying at all), he cleverly goes about it through sport: the traditionally white sport of rugby.
Enter Francois Pienaar (Damon), the Afrikaner rugby captain of the not-so-successful Sprinbok team. He seems like a nice enough guy, but obviously comes from privilege and perhaps is not yet enlightened to Mandela's ability to lead.
Mandela invites him for tea and an instant mutual respect is born—with desirable results for both parties.
The President infuses the captain with the will and inspiration to create a winning team; in doing so the captain begins to build something that all South Africans can agree on. And the rest is somewhat predictable (especially if you know your South African history).
So is the movie good? Sure. Morgan Freeman (who truly resembles Mandela) is always a pleasure to watch and Matt Damon impresses me more and more with every role. In this one, he seems comfortable in the pretty-boy skin, yet still stretches with an African accent.
There are moments of pause that probably wouldn't be there if Clint Eastwood hadn't directed it, but there are also sentimental seconds that last just long enough to bring a tear. Really, a fine balance.
I wish I understood rugby more because the game scenes are aplenty, but I still enjoyed the story nonetheless.
It's just one tiny piece of Mandela's incredible rise to power, and it made me want to see more.
At the start of the film, Nelson Mandela (Freeman) is just being released from prison and assuming his role as the South African President.
He knows that as he forgives a nation that imprisoned him, he also needs to earn the respect and support of the very people he's forgiving and unify South Africa. Instead of going the traditional route of politics (or not even trying at all), he cleverly goes about it through sport: the traditionally white sport of rugby.
Enter Francois Pienaar (Damon), the Afrikaner rugby captain of the not-so-successful Sprinbok team. He seems like a nice enough guy, but obviously comes from privilege and perhaps is not yet enlightened to Mandela's ability to lead.
Mandela invites him for tea and an instant mutual respect is born—with desirable results for both parties.
The President infuses the captain with the will and inspiration to create a winning team; in doing so the captain begins to build something that all South Africans can agree on. And the rest is somewhat predictable (especially if you know your South African history).
So is the movie good? Sure. Morgan Freeman (who truly resembles Mandela) is always a pleasure to watch and Matt Damon impresses me more and more with every role. In this one, he seems comfortable in the pretty-boy skin, yet still stretches with an African accent.
There are moments of pause that probably wouldn't be there if Clint Eastwood hadn't directed it, but there are also sentimental seconds that last just long enough to bring a tear. Really, a fine balance.
I wish I understood rugby more because the game scenes are aplenty, but I still enjoyed the story nonetheless.
It's just one tiny piece of Mandela's incredible rise to power, and it made me want to see more.
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