On Sunday I screened Top End Wedding, starring Miranda Tapsell and Gwilym Lee.
Lauren (Tapsell) and Ned (Lee) are in love and planning a whirlwind ceremony for their nuptials in 10 days, hut there's a complication—Lauren's mother is missing. They must find her or their perfect Top End Wedding will not happen.
What starts as a plane trip becomes a road trip and a journey deep into family dynamics and secrets from the past emerge, as if on cue. It's all executed in a comedic, fun way, but the real themes that anchor the story keep the film grounded enough to have meaning.
It's also an exploration of the merging of cultures (the bride's mother comes from an indigenous Australian tribe) and the traditions that come along with being part of something so sacred.
I very much enjoyed the fast-paced vibe of this film set in gorgeous remote areas of Australia. The characters were likeable (even those who were specifically supposed to serve as the opposite) and
the scenery breathtaking.
A satisfying romp with genuine roots.
~~~
Top End Wedding screened at the 45th Annual Seattle International Film Festival.
Showing posts with label rom com. Show all posts
Showing posts with label rom com. Show all posts
Wednesday, May 29, 2019
Tuesday, May 28, 2019
Emma Peters
Tonight I screened Emma Peeters, starring Monia Chokri and Fabrice Adde.
Emma (Chokri) is a thirty-something actress who spends her days juggling auditions for parts she doesn't get with a dead-end job at an electronics store, where she miserably succeeds in becoming the top salesperson. She decides that life is no longer worth living and begins an elaborate plan to commit suicide on her birthday.
As preparations begin, she encounters an enthusiastic funeral director, Alex (Adde), who comments that she doesn't appear sick. One thing leads to another and they become close as her self-imposed deadline approaches.
Sounds pretty grim, right? Well, it could be, but here it's more of a morbid-black-comedy vibe than a sad one, no matter how depressing her progress becomes.
Throw in a persistent cat named Jim (after Morrison), clueless parents and selfish friends and you can sort of see why Emma is disillusioned. That said, the thought of suicide isn't pleasant and the closer she gets to going through with it, the more you pray as an audience member that the happy ending film formula will win out and save her life.
You'll have to see the film to learn how it turns out, but I personally could have done with less squirming along the way.
~~~
Emma Peeters screened at the 45th annual Seattle International Film Festival.
Emma (Chokri) is a thirty-something actress who spends her days juggling auditions for parts she doesn't get with a dead-end job at an electronics store, where she miserably succeeds in becoming the top salesperson. She decides that life is no longer worth living and begins an elaborate plan to commit suicide on her birthday.
As preparations begin, she encounters an enthusiastic funeral director, Alex (Adde), who comments that she doesn't appear sick. One thing leads to another and they become close as her self-imposed deadline approaches.
Sounds pretty grim, right? Well, it could be, but here it's more of a morbid-black-comedy vibe than a sad one, no matter how depressing her progress becomes.
Throw in a persistent cat named Jim (after Morrison), clueless parents and selfish friends and you can sort of see why Emma is disillusioned. That said, the thought of suicide isn't pleasant and the closer she gets to going through with it, the more you pray as an audience member that the happy ending film formula will win out and save her life.
You'll have to see the film to learn how it turns out, but I personally could have done with less squirming along the way.
~~~
Emma Peeters screened at the 45th annual Seattle International Film Festival.
Saturday, February 23, 2019
Isn't It Romantic
Today I saw Isn't It Romantic, starring Rebel Wilson and Adam Devine.
Natalie (Wilson) is an under-appreciated architect who hates the clichés of romantic comedy narratives. When she gets mugged in a New York City subway station, she awakes to a new world where the streets are clean and the world is painted in colors of love.
After reluctantly entering into a relationship with colleague Blake (Hemsworth), she realizes that to break out of this fantasy world she finds so uncomfortable, she must actually fall in love with who she's meant to be with to break the spell and return to her normal life, so she begins pursuing her best friend, Josh (Devine).
Of course, Rebel Wilson is a pure delight in the lead role and her two suitors are well-cast. Basically this is a fun, clever, classic dig on traditional romantic comedies as it unfolds into one itself.
A welcome reprieve from real life for just under two hours.
~~~
Natalie (Wilson) is an under-appreciated architect who hates the clichés of romantic comedy narratives. When she gets mugged in a New York City subway station, she awakes to a new world where the streets are clean and the world is painted in colors of love.
After reluctantly entering into a relationship with colleague Blake (Hemsworth), she realizes that to break out of this fantasy world she finds so uncomfortable, she must actually fall in love with who she's meant to be with to break the spell and return to her normal life, so she begins pursuing her best friend, Josh (Devine).
Of course, Rebel Wilson is a pure delight in the lead role and her two suitors are well-cast. Basically this is a fun, clever, classic dig on traditional romantic comedies as it unfolds into one itself.
A welcome reprieve from real life for just under two hours.
~~~
Sunday, September 18, 2016
Bridget Jones's Baby
Today I saw Bridget Jones's Baby, starring Renee Zellweger and Colin Firth.
For a movie based on a character based on a book that doesn't exist, this film hit it out of the ballpark.
Bridget Jones's Diary was the ultimate rom com, based on the best-selling book of the same name. Its sequel, Bridget Jones Edge of Reason followed with a not-quite-as-good-but-still-entertaining book and film. The third book we won't even go into, since many devotees found it to be a sacrilege. This film falls somewhere between those last two.
Our heroine, Bridget (Zellweger, who originated the role), is in her early 40s working as a television producer. She's still quirky, and lovable and disheveled. Also: she's still alone.
Her ex, Mark Darcy (Firth) has moved on and married, though that marriage is in trouble. She runs into him at a Christening for a mutual friend's baby and they fall accidentally into bed.
Jack (Patrick Dempsey) is an American motivational speaker that attends the same music festival as Bridget and her buddy. When Bridget gets hammered and ends up in the wrong yurt, he is there. And they accidentally fall into bed.
A few months later, Bridget learns that one of these interludes has made her pregnant, but because the encounters happened in the same span of time, she doesn't know which.
And here's our second act: Who's the daddy?
An entertaining romp ensues and we're not quite sure who she wants the father to be (though they make Dempsey just plastic enough to have us rooting for Darcy). Both men, instead of running away, enter into an almost "competition" to prove who would make the best papa, and the results are hilarious.
This movie is no Citizen Kane, but it is a comedy that stays faithful to beloved characters and provides pure enjoyment along the way.
~~~
For a movie based on a character based on a book that doesn't exist, this film hit it out of the ballpark.
Bridget Jones's Diary was the ultimate rom com, based on the best-selling book of the same name. Its sequel, Bridget Jones Edge of Reason followed with a not-quite-as-good-but-still-entertaining book and film. The third book we won't even go into, since many devotees found it to be a sacrilege. This film falls somewhere between those last two.
Our heroine, Bridget (Zellweger, who originated the role), is in her early 40s working as a television producer. She's still quirky, and lovable and disheveled. Also: she's still alone.
Her ex, Mark Darcy (Firth) has moved on and married, though that marriage is in trouble. She runs into him at a Christening for a mutual friend's baby and they fall accidentally into bed.
Jack (Patrick Dempsey) is an American motivational speaker that attends the same music festival as Bridget and her buddy. When Bridget gets hammered and ends up in the wrong yurt, he is there. And they accidentally fall into bed.
A few months later, Bridget learns that one of these interludes has made her pregnant, but because the encounters happened in the same span of time, she doesn't know which.
And here's our second act: Who's the daddy?
An entertaining romp ensues and we're not quite sure who she wants the father to be (though they make Dempsey just plastic enough to have us rooting for Darcy). Both men, instead of running away, enter into an almost "competition" to prove who would make the best papa, and the results are hilarious.
This movie is no Citizen Kane, but it is a comedy that stays faithful to beloved characters and provides pure enjoyment along the way.
~~~
Tuesday, December 28, 2010
How Do You Know
Tonight I saw How Do You Know, starring Reese Witherspoon and Paul Rudd.
George (Rudd) is a financial something-or-other in hot water because of his father's illegal dealings in the family business. As a result, his girlfriend leaves him, which allows him to pursue a woman by the name of Lisa (Witherspoon) who another friend attempted to set him up with.
Lisa, a professional softball player just cut from the team, is currently in a relationship with Matty (Owen Wilson), a pitcher living the high life and enjoying the perks that come with it.
Once she realizes that Matty isn't the most honorable of men, she treats their union with equal respect and goes out on a date with George. But the timing is bad—he's just been indicted and she's just lost her career, so neither of them is really in the mood for good conversation. They decide it would just be best to remain silent throughout the meal and that's how their entire date is spent—enjoying the peace and quiet.
Lisa decides to try to work things out with Matty and George's self-esteem convinces him to leave her alone (though he thinks about her constantly after their weird evening together).
What's interesting about this somewhat conventional romantic comedy is that the only person worth rooting for here is George.
His life has been turned upside down through no fault of his own and now he's falling for an unavailable girl who frankly isn't much fun to be around. Poor thing!
Witherspoon does a great job of communicating a neurotic, selfish, spoiled brat who appears to leave any situation she doesn't find totally hospitable. Sure, she's pretty; yeah, she's in great shape (though, oddly enough, we never see her on the softball field), but what about this woman's personality is so enticing? Nothing.
Matty is cute, rich and clueless. He has redeeming qualities in that he truly seems to care about Lisa, but a truer-to-life version of him would surely cheat on her.
Though the cast here is predictably great, the screenplay falls short of delivering any real romance or spark, and the laughs are too few and far between to be satisfying.
How do you know when you're in love? This movie won't provide the answer.
~~~
George (Rudd) is a financial something-or-other in hot water because of his father's illegal dealings in the family business. As a result, his girlfriend leaves him, which allows him to pursue a woman by the name of Lisa (Witherspoon) who another friend attempted to set him up with.
Lisa, a professional softball player just cut from the team, is currently in a relationship with Matty (Owen Wilson), a pitcher living the high life and enjoying the perks that come with it.
Once she realizes that Matty isn't the most honorable of men, she treats their union with equal respect and goes out on a date with George. But the timing is bad—he's just been indicted and she's just lost her career, so neither of them is really in the mood for good conversation. They decide it would just be best to remain silent throughout the meal and that's how their entire date is spent—enjoying the peace and quiet.
Lisa decides to try to work things out with Matty and George's self-esteem convinces him to leave her alone (though he thinks about her constantly after their weird evening together).
What's interesting about this somewhat conventional romantic comedy is that the only person worth rooting for here is George.
His life has been turned upside down through no fault of his own and now he's falling for an unavailable girl who frankly isn't much fun to be around. Poor thing!
Witherspoon does a great job of communicating a neurotic, selfish, spoiled brat who appears to leave any situation she doesn't find totally hospitable. Sure, she's pretty; yeah, she's in great shape (though, oddly enough, we never see her on the softball field), but what about this woman's personality is so enticing? Nothing.
Matty is cute, rich and clueless. He has redeeming qualities in that he truly seems to care about Lisa, but a truer-to-life version of him would surely cheat on her.
Though the cast here is predictably great, the screenplay falls short of delivering any real romance or spark, and the laughs are too few and far between to be satisfying.
How do you know when you're in love? This movie won't provide the answer.
~~~
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