Last night I saw Yesterday, starring Himesh Patel and Lily James.
A world without The Beatles or Coca-Cola isn't a world I'd ever want to live in, but it's the warped reality that struggling English musician, Jack (Patel), experiences when he wakes from an accident. Jack was hit by a bus during a freak, 12-second worldwide blackout and seems to be the only person who remembers the most famous band that ever existed and the iconic soda.
Of course he doesn't have the formula for Coke, but he does remember a fair amount of The Beatles catalog of songs, so he begins to "write" them one-by-one and pass them off as his own. Of course, the world (again) loves them.
Side note: For those of us who are die-hard Beatles fans who absolutely hate covers of their songs, listening to him play their sacred hits throughout the film is as excruciating as you'd imagine.
By his side on his rise to fame is Ellie (James) who has known him since childhood and acts as his manager until he's recruited by a bigger fish, who arrives in the form of Kate McKinnon as Debra. She is a very welcome distraction, as is Ed Sheeran who portrays himself.
Although the film is marketed as this philosophical "what if" regarding the cultural shift that would happen if the band who influenced nearly every major rock act that came after them never happened, it's really just a mediocre romantic comedy about two people who don't have much chemistry and struggle to get past the friend zone. In fact, the film should have been called The Friend Zone.
As someone who counts Love Actually among the greatest rom coms of all time, I hoped that writer Richard Curtis would sprinkle his fairy dust on this couple as well, but instead all we got were a series of groan-worthy jokes (re-naming "Hey Jude" to "Hey Dude") and an odd twist at the end that contemplates what John Lennon would be doing today if he hadn't been murdered (for what it's worth, I don't think they even came close).
A film exploring an alternate Back to the Future-ish reality about how music would suck had rock 'n' roll never been blessed with John, Paul, George and Ringo? Now that would have been compelling.
Unfortunately, the greatest part of this film was the very end—when the real Beatles sing "Hey Jude" over the credits.
~~~
Showing posts with label romantic comedy. Show all posts
Showing posts with label romantic comedy. Show all posts
Wednesday, July 03, 2019
Saturday, February 23, 2019
Isn't It Romantic
Today I saw Isn't It Romantic, starring Rebel Wilson and Adam Devine.
Natalie (Wilson) is an under-appreciated architect who hates the clichés of romantic comedy narratives. When she gets mugged in a New York City subway station, she awakes to a new world where the streets are clean and the world is painted in colors of love.
After reluctantly entering into a relationship with colleague Blake (Hemsworth), she realizes that to break out of this fantasy world she finds so uncomfortable, she must actually fall in love with who she's meant to be with to break the spell and return to her normal life, so she begins pursuing her best friend, Josh (Devine).
Of course, Rebel Wilson is a pure delight in the lead role and her two suitors are well-cast. Basically this is a fun, clever, classic dig on traditional romantic comedies as it unfolds into one itself.
A welcome reprieve from real life for just under two hours.
~~~
Natalie (Wilson) is an under-appreciated architect who hates the clichés of romantic comedy narratives. When she gets mugged in a New York City subway station, she awakes to a new world where the streets are clean and the world is painted in colors of love.
After reluctantly entering into a relationship with colleague Blake (Hemsworth), she realizes that to break out of this fantasy world she finds so uncomfortable, she must actually fall in love with who she's meant to be with to break the spell and return to her normal life, so she begins pursuing her best friend, Josh (Devine).
Of course, Rebel Wilson is a pure delight in the lead role and her two suitors are well-cast. Basically this is a fun, clever, classic dig on traditional romantic comedies as it unfolds into one itself.
A welcome reprieve from real life for just under two hours.
~~~
Saturday, November 10, 2018
Crazy Rich Asians
Today I saw Crazy Rich Asians, starring Constance Wu and Henry Golding.
American Rachel (Wu) is happy to head to Singapore to meet the family of her boyfriend, Nick (Golding) for a wedding. He doesn't talk much about them, so she's unaware that they are one of the most prominent, wealthy families in the city.
Upon her arrival, she's received in a very cold manner by Nick's mother, who doesn't believe Rachel is good enough for her son. Coupled with that are all the jealous women in Singapore who resent an American claiming the heart of one of their most eligible bachelors. She has to overcome this and Nick has to prove to her he won't side with the community that created him.
The entire film is a sometimes funny, sometimes sad look at the cultural boundaries that often end relationships that would otherwise thrive. The diversity of a fully Asian cast is undoubtedly refreshing (and I love what the success of the film will hopefully do for more non-white filmmakers), but the story is incredibly formulaic and predictable, no matter how appealing the actors are (and they're very appealing).
I enjoyed this for what it was, and would rate it on par with any average romantic comedy. Other than that, it's nothing special.
~~~
American Rachel (Wu) is happy to head to Singapore to meet the family of her boyfriend, Nick (Golding) for a wedding. He doesn't talk much about them, so she's unaware that they are one of the most prominent, wealthy families in the city.
Upon her arrival, she's received in a very cold manner by Nick's mother, who doesn't believe Rachel is good enough for her son. Coupled with that are all the jealous women in Singapore who resent an American claiming the heart of one of their most eligible bachelors. She has to overcome this and Nick has to prove to her he won't side with the community that created him.
The entire film is a sometimes funny, sometimes sad look at the cultural boundaries that often end relationships that would otherwise thrive. The diversity of a fully Asian cast is undoubtedly refreshing (and I love what the success of the film will hopefully do for more non-white filmmakers), but the story is incredibly formulaic and predictable, no matter how appealing the actors are (and they're very appealing).
I enjoyed this for what it was, and would rate it on par with any average romantic comedy. Other than that, it's nothing special.
~~~
Thursday, August 30, 2018
Juliet, Naked
Tonight I saw Juliet, Naked, starring Rose Byrne and Ethan Hawke.
British Annie (Byrne) is in a relationship with Duncan (Chris O'Dowd) who is obsessed with Tucker Crowe (Hawke), a washed up American independent singer/songwriter who hasn't released music in decades.
A rare piece of music by Tucker surfaces and Duncan is overcome with excitement. Annie, fed up with the fandom, writes a scathing review in response to Duncan's enthusiasm and gets a reply ... from Tucker himself. Soon the two are corresponding via email and developing a friendship. And Duncan has his sights on a colleague.
So the story follows Annie's odd love triangle and Tucker's complicated life while we are treated to a lighthearted, yet oddly meaningful journey that's quite believable. The three leads are perfectly cast and the supporting players who act as the colleagues, siblings and children of the leads are a welcome addition.
What's more, Ethan Hawke does his own singing as the character, so it's fun to hear him exercise yet another creative talent.
Immersed in a few "super-fan" music communities myself, I found Duncan's character very relatable (and truthfully it helped to laugh at his behavior). He's more realistic than some may assume, and he plays it beautifully.
You should go see this. It will make you smile.
~~~
British Annie (Byrne) is in a relationship with Duncan (Chris O'Dowd) who is obsessed with Tucker Crowe (Hawke), a washed up American independent singer/songwriter who hasn't released music in decades.
A rare piece of music by Tucker surfaces and Duncan is overcome with excitement. Annie, fed up with the fandom, writes a scathing review in response to Duncan's enthusiasm and gets a reply ... from Tucker himself. Soon the two are corresponding via email and developing a friendship. And Duncan has his sights on a colleague.
So the story follows Annie's odd love triangle and Tucker's complicated life while we are treated to a lighthearted, yet oddly meaningful journey that's quite believable. The three leads are perfectly cast and the supporting players who act as the colleagues, siblings and children of the leads are a welcome addition.
What's more, Ethan Hawke does his own singing as the character, so it's fun to hear him exercise yet another creative talent.
Immersed in a few "super-fan" music communities myself, I found Duncan's character very relatable (and truthfully it helped to laugh at his behavior). He's more realistic than some may assume, and he plays it beautifully.
You should go see this. It will make you smile.
~~~
Sunday, September 10, 2017
Home Again
On Friday I saw Home Again, starring Reese Witherspoon and Pico Alexander.
Alice (Witherspoon) is a single mother, separated from her husband, who is a big-wig in the music industry. To make a fresh start she moves back home to L.A. with her two girls. On a night out with her friends, she meets Harry (Alexander) and two of his friends; all are trying to break into the film business. Her father was a legendary filmmaker. Before long, the three are living in Alice's guesthouse and she and Harry are falling for each other.
Things get complicated when her husband, Austin (Michael Sheen), decides he'd like to reconcile and makes his way to L.A. Alice is torn between starting over and returning to a comfortable familiarity for her kids.
This is a textbook rom-com with a convenient love triangle, which addresses age, commitment and societal norms. That said, it is also thoroughly enjoyable. Predictable, sure—but enjoyable.
Witherspoon is delightful as a genuinely good mom who only wants what's best for her kids, and the supporting players all foster her decision-making by staying true to their personas. The girls who play her daughters, Lola Flanery and Eden Grace Redfield, are also spectacular. They hit just the right notes of confusion and joy as their lives take a topsy-turvy turn.
If you're looking for something deep or dark, this isn't the film for you. But if you want to take a break from our fractured world and breathe for a while, I can safely say you'll be in good hands with this sweet flick.
~~~
Alice (Witherspoon) is a single mother, separated from her husband, who is a big-wig in the music industry. To make a fresh start she moves back home to L.A. with her two girls. On a night out with her friends, she meets Harry (Alexander) and two of his friends; all are trying to break into the film business. Her father was a legendary filmmaker. Before long, the three are living in Alice's guesthouse and she and Harry are falling for each other.
Things get complicated when her husband, Austin (Michael Sheen), decides he'd like to reconcile and makes his way to L.A. Alice is torn between starting over and returning to a comfortable familiarity for her kids.
This is a textbook rom-com with a convenient love triangle, which addresses age, commitment and societal norms. That said, it is also thoroughly enjoyable. Predictable, sure—but enjoyable.
Witherspoon is delightful as a genuinely good mom who only wants what's best for her kids, and the supporting players all foster her decision-making by staying true to their personas. The girls who play her daughters, Lola Flanery and Eden Grace Redfield, are also spectacular. They hit just the right notes of confusion and joy as their lives take a topsy-turvy turn.
If you're looking for something deep or dark, this isn't the film for you. But if you want to take a break from our fractured world and breathe for a while, I can safely say you'll be in good hands with this sweet flick.
~~~
Sunday, September 18, 2016
Bridget Jones's Baby
Today I saw Bridget Jones's Baby, starring Renee Zellweger and Colin Firth.
For a movie based on a character based on a book that doesn't exist, this film hit it out of the ballpark.
Bridget Jones's Diary was the ultimate rom com, based on the best-selling book of the same name. Its sequel, Bridget Jones Edge of Reason followed with a not-quite-as-good-but-still-entertaining book and film. The third book we won't even go into, since many devotees found it to be a sacrilege. This film falls somewhere between those last two.
Our heroine, Bridget (Zellweger, who originated the role), is in her early 40s working as a television producer. She's still quirky, and lovable and disheveled. Also: she's still alone.
Her ex, Mark Darcy (Firth) has moved on and married, though that marriage is in trouble. She runs into him at a Christening for a mutual friend's baby and they fall accidentally into bed.
Jack (Patrick Dempsey) is an American motivational speaker that attends the same music festival as Bridget and her buddy. When Bridget gets hammered and ends up in the wrong yurt, he is there. And they accidentally fall into bed.
A few months later, Bridget learns that one of these interludes has made her pregnant, but because the encounters happened in the same span of time, she doesn't know which.
And here's our second act: Who's the daddy?
An entertaining romp ensues and we're not quite sure who she wants the father to be (though they make Dempsey just plastic enough to have us rooting for Darcy). Both men, instead of running away, enter into an almost "competition" to prove who would make the best papa, and the results are hilarious.
This movie is no Citizen Kane, but it is a comedy that stays faithful to beloved characters and provides pure enjoyment along the way.
~~~
For a movie based on a character based on a book that doesn't exist, this film hit it out of the ballpark.
Bridget Jones's Diary was the ultimate rom com, based on the best-selling book of the same name. Its sequel, Bridget Jones Edge of Reason followed with a not-quite-as-good-but-still-entertaining book and film. The third book we won't even go into, since many devotees found it to be a sacrilege. This film falls somewhere between those last two.
Our heroine, Bridget (Zellweger, who originated the role), is in her early 40s working as a television producer. She's still quirky, and lovable and disheveled. Also: she's still alone.
Her ex, Mark Darcy (Firth) has moved on and married, though that marriage is in trouble. She runs into him at a Christening for a mutual friend's baby and they fall accidentally into bed.
Jack (Patrick Dempsey) is an American motivational speaker that attends the same music festival as Bridget and her buddy. When Bridget gets hammered and ends up in the wrong yurt, he is there. And they accidentally fall into bed.
A few months later, Bridget learns that one of these interludes has made her pregnant, but because the encounters happened in the same span of time, she doesn't know which.
And here's our second act: Who's the daddy?
An entertaining romp ensues and we're not quite sure who she wants the father to be (though they make Dempsey just plastic enough to have us rooting for Darcy). Both men, instead of running away, enter into an almost "competition" to prove who would make the best papa, and the results are hilarious.
This movie is no Citizen Kane, but it is a comedy that stays faithful to beloved characters and provides pure enjoyment along the way.
~~~
Thursday, March 31, 2016
Hello, My Name is Doris
On Sunday I saw Hello My Name is Doris, starring Sally Field and Max Greenfield.
Having a workplace crush is fantastic—you plan your outfits carefully, worry about your makeup and get excited when circumstance forces you into their presence. And you flirt. Shamelessly.
That's the predicament Doris (Field) finds herself in when new hire John (Greenfield) arrives in her office. Though they're both unmarried, there's a slight problem: they're about 30 years apart (Doris is older).
John accepts Doris's awkward advances with grace, as he's somewhat oblivious to her intentions and they soon become genuine friends. No matter how absurd her methods, Doris does succeed in getting close to him and his contemporaries. And it gives her a new lease on life, having just lost her mother and currently battling a serious case of hoarding.
Field is alternately hilarious and heartbreaking as the star character—and "character" is a good term for her. Doris makes unintentional fashion statements with her individuality. Doris does her job and she does it well; but at this point it's just habit. Doris doesn't mind riding the ferry to work every day. It takes her back to the house she grew up in, which is where she still resides. She's someone I could see myself being friends with (or turning into) later in life.
Greenfield is undeniably charming as the aloof object of affection. His kindness and gentle nature make it easy to see why any woman would be smitten. The fact he doesn't realize it makes him all that more appealing.
So, when all of these factors come into play, however unconventional it may seem, you can't help but root for a Doris & John happy ending. Maybe it could work? They could probably have a few good years? There's nothing wrong with an age difference as long as the chemistry is there, right?
I won't spoil the ending for you, but I will say it was both difficult to watch and ultimately satisfying. The attachment you'll have to Doris by the end will make you hurt when she hurts and rejoice when things go her way.
Only a good movie could do that.
~~~
Having a workplace crush is fantastic—you plan your outfits carefully, worry about your makeup and get excited when circumstance forces you into their presence. And you flirt. Shamelessly.
That's the predicament Doris (Field) finds herself in when new hire John (Greenfield) arrives in her office. Though they're both unmarried, there's a slight problem: they're about 30 years apart (Doris is older).
John accepts Doris's awkward advances with grace, as he's somewhat oblivious to her intentions and they soon become genuine friends. No matter how absurd her methods, Doris does succeed in getting close to him and his contemporaries. And it gives her a new lease on life, having just lost her mother and currently battling a serious case of hoarding.
Field is alternately hilarious and heartbreaking as the star character—and "character" is a good term for her. Doris makes unintentional fashion statements with her individuality. Doris does her job and she does it well; but at this point it's just habit. Doris doesn't mind riding the ferry to work every day. It takes her back to the house she grew up in, which is where she still resides. She's someone I could see myself being friends with (or turning into) later in life.
Greenfield is undeniably charming as the aloof object of affection. His kindness and gentle nature make it easy to see why any woman would be smitten. The fact he doesn't realize it makes him all that more appealing.
So, when all of these factors come into play, however unconventional it may seem, you can't help but root for a Doris & John happy ending. Maybe it could work? They could probably have a few good years? There's nothing wrong with an age difference as long as the chemistry is there, right?
I won't spoil the ending for you, but I will say it was both difficult to watch and ultimately satisfying. The attachment you'll have to Doris by the end will make you hurt when she hurts and rejoice when things go her way.
Only a good movie could do that.
~~~
Thursday, October 10, 2013
Enough Said
Tonight I saw Enough Said, starring James Gandolfini and Julia Louis-Dreyfus.
Eva (Louis-Dreyfus) is a divorced masseuse ready to send her daughter Ellen (Tracey Fairaway) off to college. She accompanies her best friends—a married couple—to a party and meets two people.
The first, Marianne (Catherine Keener), is a poet with a shoulder that is in desperate need of massage therapy; the second, Albert (Gandolfini) is Marianne's ex-husband.
When Eva meets them, she has no idea they were once married to each other. She begins dating Albert and immediately feels a chemistry with him. Alternately, Marianne becomes her client and they develop a genuine friendship.
It's only when Eva sees their daughter Tessa (Eve Hewson) at Marianne's house that she makes the connection.
Unfortunately, instead of coming clean then and there, she keeps her knowledge of their past a secret and mines Marianne for information about Albert. Because Marianne is so bitter toward her ex, the the things she describes that once bothered her begin to bother Eva.
This scenario is refreshing because it could (and probably does) happen in real life. Furthermore, both leads are so endearing, it's hard not to root for them to end up together, even with Albert's sloppy faults and Eva's bad judgment.
It's a relief to see Louis-Dreyfus not playing a silly or snarky woman and borderline heartbreaking to watch Gandolfini at his most gentle, the way most who knew him personally describe his real-life personality.
The supporting cast is fantastic too—Toni Colette effortlessly plays Eva's flawed best friend, who just happens to be a shrink, and Eve Hewson nails the self-absorbed teenage daughter part.
I've always been a fan of writer/director Nicole Holofcener's gift for painting such real characters and this movie may be her best of all.
Go see it as soon as possible. And then go see it again.
~~~
Eva (Louis-Dreyfus) is a divorced masseuse ready to send her daughter Ellen (Tracey Fairaway) off to college. She accompanies her best friends—a married couple—to a party and meets two people.
The first, Marianne (Catherine Keener), is a poet with a shoulder that is in desperate need of massage therapy; the second, Albert (Gandolfini) is Marianne's ex-husband.
When Eva meets them, she has no idea they were once married to each other. She begins dating Albert and immediately feels a chemistry with him. Alternately, Marianne becomes her client and they develop a genuine friendship.
It's only when Eva sees their daughter Tessa (Eve Hewson) at Marianne's house that she makes the connection.
Unfortunately, instead of coming clean then and there, she keeps her knowledge of their past a secret and mines Marianne for information about Albert. Because Marianne is so bitter toward her ex, the the things she describes that once bothered her begin to bother Eva.
This scenario is refreshing because it could (and probably does) happen in real life. Furthermore, both leads are so endearing, it's hard not to root for them to end up together, even with Albert's sloppy faults and Eva's bad judgment.
It's a relief to see Louis-Dreyfus not playing a silly or snarky woman and borderline heartbreaking to watch Gandolfini at his most gentle, the way most who knew him personally describe his real-life personality.
The supporting cast is fantastic too—Toni Colette effortlessly plays Eva's flawed best friend, who just happens to be a shrink, and Eve Hewson nails the self-absorbed teenage daughter part.
I've always been a fan of writer/director Nicole Holofcener's gift for painting such real characters and this movie may be her best of all.
Go see it as soon as possible. And then go see it again.
~~~
Sunday, September 08, 2013
Drinking Buddies
Today I saw Drinking Buddies, starring Jake Johnson and Olivia Wilde.
Kate (Wilde) works at a brewery with Luke (Johnson). They're both in seemingly long-term relationships with Chris (Ron Livingston) and Jill (Anna Kendrick), respectively.
When a double-date camping trip leaves them wondering if they're with the right partner, Chris and Kate decide to take a break, while Luke and Jill remain together.
As with any mumblecore flick, all of the dialogue feels like improv, and the actors feel like people we know.
Johnson especially, known for his endearing character on New Girl, fits the bill as a brewmaster who lacks ambition. A reference Jill makes to their "marriage" discussion hints at his procrastination to propose; the older, wiser Chris would probably not cause such a delay.
When Jill takes a trip for work, Luke is left behind to help Kate move residences. A "will they or won't they" tension ensues, and the film turns from a lighthearted rom com to a more serious indie drama.
But that's okay, because this group is refreshingly real without being pretentious. Their struggles are familiar and their behaviors are typical, if not ideal.
Each character, though flawed, also has redeeming qualities that cause us to root for them, which makes this a good bunch to watch.
If only mumblecore had sequels.
~~~
Kate (Wilde) works at a brewery with Luke (Johnson). They're both in seemingly long-term relationships with Chris (Ron Livingston) and Jill (Anna Kendrick), respectively.
When a double-date camping trip leaves them wondering if they're with the right partner, Chris and Kate decide to take a break, while Luke and Jill remain together.
As with any mumblecore flick, all of the dialogue feels like improv, and the actors feel like people we know.
Johnson especially, known for his endearing character on New Girl, fits the bill as a brewmaster who lacks ambition. A reference Jill makes to their "marriage" discussion hints at his procrastination to propose; the older, wiser Chris would probably not cause such a delay.
When Jill takes a trip for work, Luke is left behind to help Kate move residences. A "will they or won't they" tension ensues, and the film turns from a lighthearted rom com to a more serious indie drama.
But that's okay, because this group is refreshingly real without being pretentious. Their struggles are familiar and their behaviors are typical, if not ideal.
Each character, though flawed, also has redeeming qualities that cause us to root for them, which makes this a good bunch to watch.
If only mumblecore had sequels.
~~~
Monday, September 02, 2013
Austenland
Today I saw Austenland, starring Keri Russell and Bret McKenzie.
Jane (Russell) is a single American girl, obsessed with the world of Jane Austen books. She has a cardboard cutout of Colin Firth as Mr. Darcy next to her couch, boasts an Austen-themed bedroom and "takes tea" a lot more than normal Americans would.
Her boyfriends scoff at her distraction; her friends just want it to come to an end. She can't get enough of the culture, so she spends her life savings on a trip to Austenland, a theme park dedicated to immersing oneself into the world the author so famously created.
Upon arrival, Jane isn't as dazzled as she thought she'd be—because she only booked the basic experience, she sleeps in the servants quarters and wears gowns that aren't as extravagant as those of higher paying guests.
Becoming claustrophobic to the clutches of the dominant owner of the place, she soon seeks solace in her moments away with Martin (McKenzie), the "hired help" that becomes as enamored with her as she does with him. Or does he?
Because the actors on the land are supposed to offer a romantic experience to each attendee, Jane soon becomes confused about what is real and what isn't. The glamour of behaving like someone in a novel becomes less and less appealing as true feelings fight their way to the surface.
Sure, there are several cheesy moments throughout the film with flamboyant supporting characters and cleavage jokes, but at the end of it all, we're all there to see an Austen-esque ending, and that's exactly what we get.
Russell's charms carry the film without effort and if you're willing to hang on for the whole ride, you'll probably leave smiling.
~~~
Jane (Russell) is a single American girl, obsessed with the world of Jane Austen books. She has a cardboard cutout of Colin Firth as Mr. Darcy next to her couch, boasts an Austen-themed bedroom and "takes tea" a lot more than normal Americans would.
Her boyfriends scoff at her distraction; her friends just want it to come to an end. She can't get enough of the culture, so she spends her life savings on a trip to Austenland, a theme park dedicated to immersing oneself into the world the author so famously created.
Upon arrival, Jane isn't as dazzled as she thought she'd be—because she only booked the basic experience, she sleeps in the servants quarters and wears gowns that aren't as extravagant as those of higher paying guests.
Becoming claustrophobic to the clutches of the dominant owner of the place, she soon seeks solace in her moments away with Martin (McKenzie), the "hired help" that becomes as enamored with her as she does with him. Or does he?
Because the actors on the land are supposed to offer a romantic experience to each attendee, Jane soon becomes confused about what is real and what isn't. The glamour of behaving like someone in a novel becomes less and less appealing as true feelings fight their way to the surface.
Sure, there are several cheesy moments throughout the film with flamboyant supporting characters and cleavage jokes, but at the end of it all, we're all there to see an Austen-esque ending, and that's exactly what we get.
Russell's charms carry the film without effort and if you're willing to hang on for the whole ride, you'll probably leave smiling.
~~~
Monday, September 03, 2012
Celeste & Jesse Forever
Today I saw Celeste & Jesse Forever, starring Rashida Jones and Andy Samberg.
They're not your average divorcing couple—Celeste (Jones) and Jesse (Samberg) still live on the same property, still go out with friends together and still say "I love you" at the end of each night.
So what's wrong with that? Well, it annoys their friends and keeps the pair from moving on to other people (and signing those every-so-important legal papers). Like the end of any relationship, a major catalyst is needed and this couple gets one, though it's a surprise to both.
How they handle it is very gender stereotypical: Celeste cries a lot, eats a lot, gets publicly drunk and asks friends how Jesse is doing. Jesse finds comfort in intimacy, avoids confrontation and goes on with his life.
The man accepts things as they are (even if he's not 100 percent happy) and the woman can't let it go.
Instead of being bitter about this portrayal, I chose to go with it and was satisfied all the more for doing so. Without over-romanticizing things, Jones and co-writer Will McCormack draw the characters away from a film-friendly unreality and thrust them into human reactions and behaviors.
Although it wasn't as happy as I may have hoped it would be, it was refreshingly authentic, and the two leads did a wonderful job of communicating both their joy and pain.
If more movies were this honest, perhaps none of us would have ridiculous delusions of grandeur in our love lives.
~~~
They're not your average divorcing couple—Celeste (Jones) and Jesse (Samberg) still live on the same property, still go out with friends together and still say "I love you" at the end of each night.
So what's wrong with that? Well, it annoys their friends and keeps the pair from moving on to other people (and signing those every-so-important legal papers). Like the end of any relationship, a major catalyst is needed and this couple gets one, though it's a surprise to both.
How they handle it is very gender stereotypical: Celeste cries a lot, eats a lot, gets publicly drunk and asks friends how Jesse is doing. Jesse finds comfort in intimacy, avoids confrontation and goes on with his life.
The man accepts things as they are (even if he's not 100 percent happy) and the woman can't let it go.
Instead of being bitter about this portrayal, I chose to go with it and was satisfied all the more for doing so. Without over-romanticizing things, Jones and co-writer Will McCormack draw the characters away from a film-friendly unreality and thrust them into human reactions and behaviors.
Although it wasn't as happy as I may have hoped it would be, it was refreshingly authentic, and the two leads did a wonderful job of communicating both their joy and pain.
If more movies were this honest, perhaps none of us would have ridiculous delusions of grandeur in our love lives.
~~~
Sunday, July 22, 2012
To Rome with Love
Today I saw To Rome with Love, starring Jesse Eisenberg and Alec Baldwin.
This film was just what I needed. Woody Allen directs and stars in this delightful dance around Rome. Using his signature themes of adultery and infatuation, he shows us four stories of life and love—all entertaining and pleasant to follow.
First, there's Jack (Eisenberg), an aspiring American architect living in Rome with his girlfriend, getting to know an architectural legend, John (Baldwin) whom he met on the street. John comes for coffee and then materializes magically (hilariously) for days thereafter to offer advice. Monica (Ellen Page) is the seductress that John is advising Jack against.
Leopoldo (Roberto Benigni) is an everyday business man until he wakes up famous for no reason. The paparazzi hound him, he enjoys the pleasures of popularity and exhibits behavior associated with those who gain fame too fast.
Antonio (Alessandro Tiberian) and Milly (Alessandra Mastronardi) are newlyweds who have come to the city to introduce Milly to Antonio's family. She feels frumpy and sets out to find a beauty salon and gets lost. By days' end, both sides of this happy couple will be sexually tempted by strangers.
Hillary (Allison Pill) falls in love and becomes engaged to Michaelangelo (Flavio Parenti) and wants her parents Jerry (Woody Allen) and Phyllis (Judy Davis) to meet him. When they arrive in Rome, they learn of Michaelangelo's father who is an undertaker with a gift for song. Jerry, a former music man, wants to jump start his career, but needs to come up with a creative way for him to overcome stage fright.
Each story is told with heart and humor, and every path leads to at least one character to root for. This film isn't a masterpiece like Match Point or Midnight in Paris, but it is very satisfying. I only wish Woody would continue this trend of basing his films in European cities.
I can only imagine what he'd do with Dublin.
~~~
This film was just what I needed. Woody Allen directs and stars in this delightful dance around Rome. Using his signature themes of adultery and infatuation, he shows us four stories of life and love—all entertaining and pleasant to follow.
First, there's Jack (Eisenberg), an aspiring American architect living in Rome with his girlfriend, getting to know an architectural legend, John (Baldwin) whom he met on the street. John comes for coffee and then materializes magically (hilariously) for days thereafter to offer advice. Monica (Ellen Page) is the seductress that John is advising Jack against.
Leopoldo (Roberto Benigni) is an everyday business man until he wakes up famous for no reason. The paparazzi hound him, he enjoys the pleasures of popularity and exhibits behavior associated with those who gain fame too fast.
Antonio (Alessandro Tiberian) and Milly (Alessandra Mastronardi) are newlyweds who have come to the city to introduce Milly to Antonio's family. She feels frumpy and sets out to find a beauty salon and gets lost. By days' end, both sides of this happy couple will be sexually tempted by strangers.
Hillary (Allison Pill) falls in love and becomes engaged to Michaelangelo (Flavio Parenti) and wants her parents Jerry (Woody Allen) and Phyllis (Judy Davis) to meet him. When they arrive in Rome, they learn of Michaelangelo's father who is an undertaker with a gift for song. Jerry, a former music man, wants to jump start his career, but needs to come up with a creative way for him to overcome stage fright.
Each story is told with heart and humor, and every path leads to at least one character to root for. This film isn't a masterpiece like Match Point or Midnight in Paris, but it is very satisfying. I only wish Woody would continue this trend of basing his films in European cities.
I can only imagine what he'd do with Dublin.
~~~
Sunday, March 11, 2012
Friends with Kids
Today I saw Friends with Kids, starring Jennifer Westfeldt and Adam Scott.
Finally, a film for single folks that's not trying to be Sex and the City or it's blatant opposite.
Julie (Westfeldt) and Jason (Scott) are best pals. The kind of friends who have known each other since college and get each other through the tough stuff—bad relationships and the general perils of being single. They even live in the same Manhattan apartment building, which makes things convenient.
Ben (Jon Hamm) and Missy (Kristen Wiig) are their close friends, and represent the couple we all love to hate: the ones who can't keep their hands off one another and show up late to things because they're probably having sex.
Leslie (Maya Rudolph) and Alex (Chris O'Dowd) are also good friends, and show a more traditional pair, being the first among their group to take the plunge into parenthood. Soon they're frazzled and frumpy just like so many couples we all know.
Instead of being frightened or repulsed by the thought of parenting, Julie and Jason want to be a part of it. In their thirties, realizing they're not getting any younger, they decide to have a child together—just as friends—and attempt the awkward action of having sex with each other. It's understandably tough at first, but they do figure things out and produce a beautiful baby boy.
Their friends and family are skeptical about how it will all work, but they soon prove them wrong. Their homes stay clean; their bodies look great; their friendship has never been stronger. Most importantly, their ability to work as a team makes them incredibly good parents.
Things only get weird when each finds another partner, and feels the need to confide in the other about the new relationship. There are undeniable feelings on both sides, but they don't go there because they feel it would ruin their harmonious situation.
But why shouldn't they go there?
Westfeldt, not only the star, but the director and writer, makes this question the essence of the film and writes it in such a way that we can't help but root for them... with caution.
The fact that their dearest friends aren't outwardly in their corner only makes them appear jealous, as if they wish they'd done the same thing: find a really great friend with whom to build a life. And if you've ever been in a relationship with someone you primarily found physically attractive but did not have a mental attraction to, or someone who you loved to be with, but didn't feel a strong physical attraction, you may envy those who have somehow found someone to satisfy both.
Regardless, this smart, funny movie will keep you engaged from beginning to end; reflecting on your own life and invested in the characters.
Finally, a film for single folks that's not trying to be Sex and the City or it's blatant opposite.
Julie (Westfeldt) and Jason (Scott) are best pals. The kind of friends who have known each other since college and get each other through the tough stuff—bad relationships and the general perils of being single. They even live in the same Manhattan apartment building, which makes things convenient.
Ben (Jon Hamm) and Missy (Kristen Wiig) are their close friends, and represent the couple we all love to hate: the ones who can't keep their hands off one another and show up late to things because they're probably having sex.
Leslie (Maya Rudolph) and Alex (Chris O'Dowd) are also good friends, and show a more traditional pair, being the first among their group to take the plunge into parenthood. Soon they're frazzled and frumpy just like so many couples we all know.
Instead of being frightened or repulsed by the thought of parenting, Julie and Jason want to be a part of it. In their thirties, realizing they're not getting any younger, they decide to have a child together—just as friends—and attempt the awkward action of having sex with each other. It's understandably tough at first, but they do figure things out and produce a beautiful baby boy.
Their friends and family are skeptical about how it will all work, but they soon prove them wrong. Their homes stay clean; their bodies look great; their friendship has never been stronger. Most importantly, their ability to work as a team makes them incredibly good parents.
Things only get weird when each finds another partner, and feels the need to confide in the other about the new relationship. There are undeniable feelings on both sides, but they don't go there because they feel it would ruin their harmonious situation.
But why shouldn't they go there?
Westfeldt, not only the star, but the director and writer, makes this question the essence of the film and writes it in such a way that we can't help but root for them... with caution.
The fact that their dearest friends aren't outwardly in their corner only makes them appear jealous, as if they wish they'd done the same thing: find a really great friend with whom to build a life. And if you've ever been in a relationship with someone you primarily found physically attractive but did not have a mental attraction to, or someone who you loved to be with, but didn't feel a strong physical attraction, you may envy those who have somehow found someone to satisfy both.
Regardless, this smart, funny movie will keep you engaged from beginning to end; reflecting on your own life and invested in the characters.
Monday, August 08, 2011
Crazy, Stupid, Love
Tonight I saw Crazy, Stupid, Love starring Steve Carell and Ryan Gosling.
Yes, it really is that good.
I'll admit I was skeptical of what some critics are practically calling the second coming of romantic comedies, but it really got me.
Cal (Carell) is a devastated dad who is blindsided by his wife's admission of an affair and her desire for a divorce. He drowns his sorrows in cranberry vodkas at a local club, which is obviously geared toward younger singles.
His moping catches the eye of womanizer Jacob (Gosling) who decides to adopt Cal as a pet project and give him a man-makeover. Soon they are picking up women in the same way, and loving-and-leaving them.
Emily (Julianne Moore), Cal's wife, is remorseful about her cheating, but still seeing the "other man" at work. Jessica, the babysitter, (Analeigh Tipton) has a crush on Cal. Cal's son Robbie (Jonah Bobo) has a crush on Jessica. Confused yet?
Really, it's much simpler than it sounds, and undeniably sweet.
Sure, Emily's done something bad and Cal's behavior in the aftermath isn't much better, but the difference between this and a million other rom-coms is that these characters are very likable. We actually kind of want them to reconcile, despite their mistakes, to keep their son's vision of true love alive.
Also a joy to watch is the slimy-yet-redeeming Ryan Gosling and the always-electric Emma Stone. Their chemistry is fantastic, though they're barely on screen more than 15 minutes together.
There's laughter throughout, a borderline-slapstick scene at the end (following a twist that most won't see coming) and a satisfying ending that's both believable and welcome.
Yeah, you should go see it. I might just see it again.
~~~
Yes, it really is that good.
I'll admit I was skeptical of what some critics are practically calling the second coming of romantic comedies, but it really got me.
Cal (Carell) is a devastated dad who is blindsided by his wife's admission of an affair and her desire for a divorce. He drowns his sorrows in cranberry vodkas at a local club, which is obviously geared toward younger singles.
His moping catches the eye of womanizer Jacob (Gosling) who decides to adopt Cal as a pet project and give him a man-makeover. Soon they are picking up women in the same way, and loving-and-leaving them.
Emily (Julianne Moore), Cal's wife, is remorseful about her cheating, but still seeing the "other man" at work. Jessica, the babysitter, (Analeigh Tipton) has a crush on Cal. Cal's son Robbie (Jonah Bobo) has a crush on Jessica. Confused yet?
Really, it's much simpler than it sounds, and undeniably sweet.
Sure, Emily's done something bad and Cal's behavior in the aftermath isn't much better, but the difference between this and a million other rom-coms is that these characters are very likable. We actually kind of want them to reconcile, despite their mistakes, to keep their son's vision of true love alive.
Also a joy to watch is the slimy-yet-redeeming Ryan Gosling and the always-electric Emma Stone. Their chemistry is fantastic, though they're barely on screen more than 15 minutes together.
There's laughter throughout, a borderline-slapstick scene at the end (following a twist that most won't see coming) and a satisfying ending that's both believable and welcome.
Yeah, you should go see it. I might just see it again.
~~~
Monday, February 14, 2011
Sixteen Candles
Tonight I saw Sixteen Candles, starring Molly Ringwald and Anthony Michael Hall.
There is something magical about a John Hughes film, even 27 years later.
Brought back to theaters in honor of Valentine's Day, the simplicity of teenage love shines on in the characters of Samantha (Molly), The Geek (Hall) and Jake (Michael Schoeffling). A love triangle if there ever was one.
When her family forgets her sixteenth birthday, Samantha is devastated. She whines to her friend at school and resents her sister who is getting married the following day. She's also taken an embarrassing written "sex test" that has fallen into the hands of the boy she has a crush on. She's had better weeks.
The Geek is obsessed with Samantha, bugging her on the bus, then hijacking a spot on the dance floor next to her later that same night. His sidekick friends, expecting the most from him, only make things worse.
Jake is a cute, popular boy with a bombshell girlfriend who is unsatisfied with his relationship. He's looking for more than a trophy, and is interested in learning more about Samantha.
And there you have the plot.
The rest of the film is a hilarious standard 80s teen comedy, complete with the obligatory exchange student, two Cusacks and an obnoxious kid brother.
Did I mention that I still loved every minute of it as much as I did when I was 9?
The formula of realistic dialogue, quotable catchphrases, and perfectly cast actors gets me every time.
John Hughes gave us even more than that, though. He gave us films with heart.
~~~
There is something magical about a John Hughes film, even 27 years later.
Brought back to theaters in honor of Valentine's Day, the simplicity of teenage love shines on in the characters of Samantha (Molly), The Geek (Hall) and Jake (Michael Schoeffling). A love triangle if there ever was one.
When her family forgets her sixteenth birthday, Samantha is devastated. She whines to her friend at school and resents her sister who is getting married the following day. She's also taken an embarrassing written "sex test" that has fallen into the hands of the boy she has a crush on. She's had better weeks.
The Geek is obsessed with Samantha, bugging her on the bus, then hijacking a spot on the dance floor next to her later that same night. His sidekick friends, expecting the most from him, only make things worse.
Jake is a cute, popular boy with a bombshell girlfriend who is unsatisfied with his relationship. He's looking for more than a trophy, and is interested in learning more about Samantha.
And there you have the plot.
The rest of the film is a hilarious standard 80s teen comedy, complete with the obligatory exchange student, two Cusacks and an obnoxious kid brother.
Did I mention that I still loved every minute of it as much as I did when I was 9?
The formula of realistic dialogue, quotable catchphrases, and perfectly cast actors gets me every time.
John Hughes gave us even more than that, though. He gave us films with heart.
~~~
Tuesday, December 28, 2010
How Do You Know
Tonight I saw How Do You Know, starring Reese Witherspoon and Paul Rudd.
George (Rudd) is a financial something-or-other in hot water because of his father's illegal dealings in the family business. As a result, his girlfriend leaves him, which allows him to pursue a woman by the name of Lisa (Witherspoon) who another friend attempted to set him up with.
Lisa, a professional softball player just cut from the team, is currently in a relationship with Matty (Owen Wilson), a pitcher living the high life and enjoying the perks that come with it.
Once she realizes that Matty isn't the most honorable of men, she treats their union with equal respect and goes out on a date with George. But the timing is bad—he's just been indicted and she's just lost her career, so neither of them is really in the mood for good conversation. They decide it would just be best to remain silent throughout the meal and that's how their entire date is spent—enjoying the peace and quiet.
Lisa decides to try to work things out with Matty and George's self-esteem convinces him to leave her alone (though he thinks about her constantly after their weird evening together).
What's interesting about this somewhat conventional romantic comedy is that the only person worth rooting for here is George.
His life has been turned upside down through no fault of his own and now he's falling for an unavailable girl who frankly isn't much fun to be around. Poor thing!
Witherspoon does a great job of communicating a neurotic, selfish, spoiled brat who appears to leave any situation she doesn't find totally hospitable. Sure, she's pretty; yeah, she's in great shape (though, oddly enough, we never see her on the softball field), but what about this woman's personality is so enticing? Nothing.
Matty is cute, rich and clueless. He has redeeming qualities in that he truly seems to care about Lisa, but a truer-to-life version of him would surely cheat on her.
Though the cast here is predictably great, the screenplay falls short of delivering any real romance or spark, and the laughs are too few and far between to be satisfying.
How do you know when you're in love? This movie won't provide the answer.
~~~
George (Rudd) is a financial something-or-other in hot water because of his father's illegal dealings in the family business. As a result, his girlfriend leaves him, which allows him to pursue a woman by the name of Lisa (Witherspoon) who another friend attempted to set him up with.
Lisa, a professional softball player just cut from the team, is currently in a relationship with Matty (Owen Wilson), a pitcher living the high life and enjoying the perks that come with it.
Once she realizes that Matty isn't the most honorable of men, she treats their union with equal respect and goes out on a date with George. But the timing is bad—he's just been indicted and she's just lost her career, so neither of them is really in the mood for good conversation. They decide it would just be best to remain silent throughout the meal and that's how their entire date is spent—enjoying the peace and quiet.
Lisa decides to try to work things out with Matty and George's self-esteem convinces him to leave her alone (though he thinks about her constantly after their weird evening together).
What's interesting about this somewhat conventional romantic comedy is that the only person worth rooting for here is George.
His life has been turned upside down through no fault of his own and now he's falling for an unavailable girl who frankly isn't much fun to be around. Poor thing!
Witherspoon does a great job of communicating a neurotic, selfish, spoiled brat who appears to leave any situation she doesn't find totally hospitable. Sure, she's pretty; yeah, she's in great shape (though, oddly enough, we never see her on the softball field), but what about this woman's personality is so enticing? Nothing.
Matty is cute, rich and clueless. He has redeeming qualities in that he truly seems to care about Lisa, but a truer-to-life version of him would surely cheat on her.
Though the cast here is predictably great, the screenplay falls short of delivering any real romance or spark, and the laughs are too few and far between to be satisfying.
How do you know when you're in love? This movie won't provide the answer.
~~~
Sunday, December 26, 2010
The Tourist
On December 13, I saw The Tourist, starring Angelina Jolie and Johnny Depp.
Elise (Jolie) is in love with Alexander, who is being followed by the police via her. He sends instructions for her to find a man on an Italian train and make them think that this man is him. A decoy, if you will. Elise finds Frank (Depp).
Frank is a Midwestern math teacher who is trying to heal from a painful relationship and decides to use Venice as his medicine.
The chemistry between the two actors isn't what you'd expect (I thought since they're both a bit kooky off-screen they might just have a special spark on-screen, but they really don't). This lack of extra pizazz doesn't make looking at either one of them any less pleasant, but but also doesn't help the all-too-simple plot.
Once Frank gets mixed up in Elise's world, all hell breaks loose for him and he becomes the sacrificial lamb in her story of slaughter. Of course, since she's fond of him, she does swing by on a boat to rescue him in time of peril, and kisses him for good measure, but everything floats to the surface too easily to achieve any depth.
The ending was mildly surprising and welcome, since the rest of the film was ridiculously predictable. The scenery, however—both landscapes and lovers—was beautiful.
~~~
Elise (Jolie) is in love with Alexander, who is being followed by the police via her. He sends instructions for her to find a man on an Italian train and make them think that this man is him. A decoy, if you will. Elise finds Frank (Depp).
Frank is a Midwestern math teacher who is trying to heal from a painful relationship and decides to use Venice as his medicine.
The chemistry between the two actors isn't what you'd expect (I thought since they're both a bit kooky off-screen they might just have a special spark on-screen, but they really don't). This lack of extra pizazz doesn't make looking at either one of them any less pleasant, but but also doesn't help the all-too-simple plot.
Once Frank gets mixed up in Elise's world, all hell breaks loose for him and he becomes the sacrificial lamb in her story of slaughter. Of course, since she's fond of him, she does swing by on a boat to rescue him in time of peril, and kisses him for good measure, but everything floats to the surface too easily to achieve any depth.
The ending was mildly surprising and welcome, since the rest of the film was ridiculously predictable. The scenery, however—both landscapes and lovers—was beautiful.
~~~
Sunday, September 26, 2010
Heartbreaker
Today I saw Heartbreaker, starring Vanessa Paradis and Romain Duris.
We all have loved ones with partners we'd like to trade. Whether they be adulterous or simply annoying, at some point we all fantasize about breaking said couples up, but seldom follow through.
However, if there were a breakup-for-hire third party who we could solicit to do our dirty work, would we take the risk?
Many would, according to the premise of this film.
Alex (Duris) makes a living seducing women out of their current relationships with the help of his sister and her dim-witted husband. He makes it a rule not to break up what he perceives to be "happy" couples and ends his pairings immediately after accomplishing his task.
The father of Juliette (Paradis) has commissioned him for a rush-project of sorts—her wedding to a Brit they're not fond of is due to take place in a matter of days, so Alex will have to work fast to win her over.
During his "research" of the client, he learns she loves George Michael music and quickly rigs the car with vintage Wham! hits (though the way he achieves it seems needlessly elaborate). He also begins memorizing her favorite movie, Dirty Dancing, to learn the dance moves of Patrick Swayze's character.
Alex poses as Juliette's bodyguard to gain 24/7 access to her, and like many formulaic romantic comedies, he doesn't like her at first. She is the pampered princess; he the working-class simpleton.
Of course that changes, and he begins to make progress on his mission, but this is where the movie lost me. Vanessa is model-beautiful and her husband-to-be is Prince Charming handsome. Alex is skinny, somewhat unclean and sloppy. His actions are so exaggerated he comes off as a buffoon and the way he conveys his "love" for the things she adores isn't terribly convincing.
Throw in the slapstick nature of the supporting characters (his sister and brother-in-law, and her sex-crazed best friend) and all of the sweetness of the idea here is gone.
I enjoyed the leading lady's performance, but without a believable match for her to have to decide between, this film just couldn't work as it was intended.
I may have to cleanse my palette and throw good-old Dirty Dancing into the DVD player.
~~~
We all have loved ones with partners we'd like to trade. Whether they be adulterous or simply annoying, at some point we all fantasize about breaking said couples up, but seldom follow through.
However, if there were a breakup-for-hire third party who we could solicit to do our dirty work, would we take the risk?
Many would, according to the premise of this film.
Alex (Duris) makes a living seducing women out of their current relationships with the help of his sister and her dim-witted husband. He makes it a rule not to break up what he perceives to be "happy" couples and ends his pairings immediately after accomplishing his task.
The father of Juliette (Paradis) has commissioned him for a rush-project of sorts—her wedding to a Brit they're not fond of is due to take place in a matter of days, so Alex will have to work fast to win her over.
During his "research" of the client, he learns she loves George Michael music and quickly rigs the car with vintage Wham! hits (though the way he achieves it seems needlessly elaborate). He also begins memorizing her favorite movie, Dirty Dancing, to learn the dance moves of Patrick Swayze's character.
Alex poses as Juliette's bodyguard to gain 24/7 access to her, and like many formulaic romantic comedies, he doesn't like her at first. She is the pampered princess; he the working-class simpleton.
Of course that changes, and he begins to make progress on his mission, but this is where the movie lost me. Vanessa is model-beautiful and her husband-to-be is Prince Charming handsome. Alex is skinny, somewhat unclean and sloppy. His actions are so exaggerated he comes off as a buffoon and the way he conveys his "love" for the things she adores isn't terribly convincing.
Throw in the slapstick nature of the supporting characters (his sister and brother-in-law, and her sex-crazed best friend) and all of the sweetness of the idea here is gone.
I enjoyed the leading lady's performance, but without a believable match for her to have to decide between, this film just couldn't work as it was intended.
I may have to cleanse my palette and throw good-old Dirty Dancing into the DVD player.
~~~
Sunday, September 19, 2010
Going the Distance
This morning I saw Going the Distance, starring Drew Barrymore and Justin Long.
Erin (Barrymore) is a grad student interning at a New York newspaper when she meets Garrett (Long), a record label talent searcher, disgruntled with the changing industry.
They have a meet-cute over a Centipede arcade game and fall in love at first sight. The couple's chemistry is believable (perhaps because they're a real-life pairing) and we can't help it that we want them to be together.
But what happens when two people find perfect bliss and then have to part indefinitely?
At first, nothing. When Erin returns to the West Coast to finish her degree, we experience the romance of long distance. There are late night phone calls, webcam chats and surprise visits. Absence is making the heart grow fonder.
Then, there's the realization that when each of them wakes up in the morning, the other is not lying next to them. That can hurt, especially when one is at a point in there life where major decisions are going to need to be made.
Erin is faced with such a decision regarding her career and her living situation (she's 31 and still bunking with her big sis). Does she sacrifice relationship for career or vice versa? The question may be a no-brainer for those who already have families, but for the single folk out there (especially the women) it's a much tougher call.
The story in this film is a simple one, but the writing and delightful presence of the leads makes it more than watchable. It's an enjoyable representation of modern relationships that all of us Gen Xers can surely relate to in one way or another.
I felt special kinship with Erin when she told her lover that she did in fact like saying "I told you so" when he was wrong. Those words have come out of my mouth more than a few times with partners, and it was nice to see a fictional person behaving so honestly.
This movie avoids typical rom-com clichés with just enough reality to keep us invested and the laughs come easily.
A refreshing change from the status quo.
~~~
Erin (Barrymore) is a grad student interning at a New York newspaper when she meets Garrett (Long), a record label talent searcher, disgruntled with the changing industry.
They have a meet-cute over a Centipede arcade game and fall in love at first sight. The couple's chemistry is believable (perhaps because they're a real-life pairing) and we can't help it that we want them to be together.
But what happens when two people find perfect bliss and then have to part indefinitely?
At first, nothing. When Erin returns to the West Coast to finish her degree, we experience the romance of long distance. There are late night phone calls, webcam chats and surprise visits. Absence is making the heart grow fonder.
Then, there's the realization that when each of them wakes up in the morning, the other is not lying next to them. That can hurt, especially when one is at a point in there life where major decisions are going to need to be made.
Erin is faced with such a decision regarding her career and her living situation (she's 31 and still bunking with her big sis). Does she sacrifice relationship for career or vice versa? The question may be a no-brainer for those who already have families, but for the single folk out there (especially the women) it's a much tougher call.
The story in this film is a simple one, but the writing and delightful presence of the leads makes it more than watchable. It's an enjoyable representation of modern relationships that all of us Gen Xers can surely relate to in one way or another.
I felt special kinship with Erin when she told her lover that she did in fact like saying "I told you so" when he was wrong. Those words have come out of my mouth more than a few times with partners, and it was nice to see a fictional person behaving so honestly.
This movie avoids typical rom-com clichés with just enough reality to keep us invested and the laughs come easily.
A refreshing change from the status quo.
~~~
Monday, December 21, 2009
It's Complicated
Tonight I screened It's Complicated, starring Meryl Streep and Alec Baldwin.
Divorce is never easy, especially when your husband leaves you for a woman half your age. That's what Jane (Streep) has had to deal with for the past ten years. But she's moved on gracefully, creating a beautiful home of her own and a successful business.
Jake (Baldwin), her ex, is not as happy—helping his young wife raise her 5-year-old and being pressured into producing a child with her via fertility treatments. He has "no quiet" in his life when he needs it most.
When the former mates reunite at the same hotel for their son's graduation, the wine flows and the sparks fly. They end up in bed and are so euphoric after their one night together, they decide to do it again...and again.
All of this is kept from their three grown kids, though their charming soon-to-be son-in-law Harley (John Krasinski) accidentally sees them together at a local hotel. Lucky for them, he keeps his mouth shut.
Meanwhile, Jane's architect Adam (Steve Martin), damaged by his own divorce, is falling for her and hoping that she's available.
After discussing her indiscretions with her girlfriends and her shrink, though she likes Adam, Jane decides to give the affair with Jake a shot. Of course, trouble follows.
The movie is shamefully predictable and aimed at the 50-something female demographic (though Jane's girlfriends sure do disappear early in the film). That said, I will never complain about spending two hours with these two leads. Their performances are spirited and Steve Martin is simply delicious icing on the middle-aged cake.
There is nothing new to be learned from this film. Sex with an ex can be great. People do have affairs. People do fall out of love with their spouses. People do always wonder "what if?"
At least this one lets you laugh along the way.
Divorce is never easy, especially when your husband leaves you for a woman half your age. That's what Jane (Streep) has had to deal with for the past ten years. But she's moved on gracefully, creating a beautiful home of her own and a successful business.
Jake (Baldwin), her ex, is not as happy—helping his young wife raise her 5-year-old and being pressured into producing a child with her via fertility treatments. He has "no quiet" in his life when he needs it most.
When the former mates reunite at the same hotel for their son's graduation, the wine flows and the sparks fly. They end up in bed and are so euphoric after their one night together, they decide to do it again...and again.
All of this is kept from their three grown kids, though their charming soon-to-be son-in-law Harley (John Krasinski) accidentally sees them together at a local hotel. Lucky for them, he keeps his mouth shut.
Meanwhile, Jane's architect Adam (Steve Martin), damaged by his own divorce, is falling for her and hoping that she's available.
After discussing her indiscretions with her girlfriends and her shrink, though she likes Adam, Jane decides to give the affair with Jake a shot. Of course, trouble follows.
The movie is shamefully predictable and aimed at the 50-something female demographic (though Jane's girlfriends sure do disappear early in the film). That said, I will never complain about spending two hours with these two leads. Their performances are spirited and Steve Martin is simply delicious icing on the middle-aged cake.
There is nothing new to be learned from this film. Sex with an ex can be great. People do have affairs. People do fall out of love with their spouses. People do always wonder "what if?"
At least this one lets you laugh along the way.
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