I screened the documentary Women Of The White Buffalo last night at the Red Nation Film Festival.
Read my re-cap here.
Showing posts with label documentary. Show all posts
Showing posts with label documentary. Show all posts
Friday, November 15, 2019
Wednesday, September 18, 2019
Maiden
Tonight I saw Maiden, starring Tracy Edwards and Jo Gooding.
In 1989, Tracy Edwards led an all-female team in the Whitbread Round the World Race, though she'd never been a skipper before. This documentary recalls the years leading up to the race featuring interviews conducted with original crew members and the journalists who covered them, in addition to archival footage.
Throughout her young life, Edwards had trouble committing to things. After an idyllic childhood cut short by her father's premature death, the young woman found herself always escaping. After being expelled from school and backpacking around Europe, she ended up on charter boats doing various jobs including cooking and acting as a deckhand.
After a chance meeting with King Hussein of Jordan during a trip to the U.S., she was helped by him to acquire a boat and organize a team to compete in the Whitbread Round the World Race. The team was all-female and struggled to find sponsorships because of those who underestimated their potential.
Finally, by 1989, the team and funding was in place and the women were able to compete alongside their male counterparts, gaining momentum with each milestone reached.
The film does a fantastic job of re-living their journey as it happened and relishing in every last victory these amazing women enjoyed.
A perfect movie for 2019.
~~~
In 1989, Tracy Edwards led an all-female team in the Whitbread Round the World Race, though she'd never been a skipper before. This documentary recalls the years leading up to the race featuring interviews conducted with original crew members and the journalists who covered them, in addition to archival footage.
Throughout her young life, Edwards had trouble committing to things. After an idyllic childhood cut short by her father's premature death, the young woman found herself always escaping. After being expelled from school and backpacking around Europe, she ended up on charter boats doing various jobs including cooking and acting as a deckhand.
After a chance meeting with King Hussein of Jordan during a trip to the U.S., she was helped by him to acquire a boat and organize a team to compete in the Whitbread Round the World Race. The team was all-female and struggled to find sponsorships because of those who underestimated their potential.
Finally, by 1989, the team and funding was in place and the women were able to compete alongside their male counterparts, gaining momentum with each milestone reached.
The film does a fantastic job of re-living their journey as it happened and relishing in every last victory these amazing women enjoyed.
A perfect movie for 2019.
~~~
Monday, July 15, 2019
Pavarotti
On Saturday, I saw Pavarotti, a documentary about the life of the legendary tenor.
Some people have a presence. It’s an intangible x factor that only a select amount of individuals possess, but those who do are unforgettable—Luciano Pavarotti was one of them.
The story of the Italian opera great is told here in a linear way by director Ron Howard, who conducted over 50 interviews to arrive at the finished work. From his childhood in Italy to his profound success as perhaps the greatest tenor of all time, Pavarotti’s life is recounted in a beautiful narrative by the people who knew him best.
He was a family man, a mentor, a friend and a humanitarian. He was also a philanderer, a diva and a man plagued with self-doubt. I’m grateful Howard chose to show both sides. Sometimes when we get to know someone larger than life, it’s only their persona that’s noticed; here we get to explore the human for all of his flaws, and we’re better for it.
Aside from his technical talent, his charisma is remembered through scenes from his friendship with Princess Diana and hilarious stories told by Bono. Pavarotti seemed to love life—his women, his friends, his children, his colleagues, his fans, his food. This was reflected in the way he lived his life, to the fullest of course, and that made it all the more heartbreaking to reach the end of the film where the last months of his life, as he suffered from pancreatic cancer, are remembered.
Though not much of an opera fan, because of his undeniable popularity and yes, because of the U2 song “Miss Sarajevo,” I knew about Pavarotti before seeing the film, but never did I think I’d enjoy such an intimate look at him.
I only wish I’d seen him perform when I had the chance.
~~~
Friday, July 05, 2019
The Biggest Little Farm
Yesterday I saw The Biggest Little Farm, starring John and Molly Chester.
John and Molly are married, living a pleasant life in the city. Molly is a personal chef; John is a documentarian. On one of his assignments, he films a home with an animal hoarder and falls in love with one of the dogs. He and Molly end up adopting said dog, Todd, and soon run into trouble because he won't stop barking. After many unsuccessful attempts to correct the dog's behavior, they're evicted from their apartment and decide to build a completely new life.
The couple buy a farm an hour north of Los Angeles and with the help of a dedicated mentor, commit themselves to reviving the land by farming using old-school methods that are kinder to the environment. This documentary chronicles their first seven years on the farm and all of the tragedy and victory that came with it. From pigs that won't eat to coyotes that murder their ducks and chickens, there's never a dull moment
Throughout the story, thankfully told chronologically, we recognize how idealistic and naive the couple were to start this venture with no previous farming experience, but also root for them because they refuse to give up regardless of the challenges they face. There is never a direct reference to climate change, but I sat there silently thanking them each time they "won" a bit of nature back (i.e. area bees returning and thriving). What they're doing all farmers should be doing.
The animals become family members, the lush landscapes provide both a peaceful retreat and an endless supply of headaches (some more dangerous than you may think) and every moment is entertaining whether you've ever had the desire to live on a farm yourself (I personally, have not).
At one point when their pig, Emma, is giving birth to what seems like an endless amount of piglets, Molly smiles with delight and says "I love our life!"
I, for one, loved watching their life.
~~~
John and Molly are married, living a pleasant life in the city. Molly is a personal chef; John is a documentarian. On one of his assignments, he films a home with an animal hoarder and falls in love with one of the dogs. He and Molly end up adopting said dog, Todd, and soon run into trouble because he won't stop barking. After many unsuccessful attempts to correct the dog's behavior, they're evicted from their apartment and decide to build a completely new life.
The couple buy a farm an hour north of Los Angeles and with the help of a dedicated mentor, commit themselves to reviving the land by farming using old-school methods that are kinder to the environment. This documentary chronicles their first seven years on the farm and all of the tragedy and victory that came with it. From pigs that won't eat to coyotes that murder their ducks and chickens, there's never a dull moment
Throughout the story, thankfully told chronologically, we recognize how idealistic and naive the couple were to start this venture with no previous farming experience, but also root for them because they refuse to give up regardless of the challenges they face. There is never a direct reference to climate change, but I sat there silently thanking them each time they "won" a bit of nature back (i.e. area bees returning and thriving). What they're doing all farmers should be doing.
The animals become family members, the lush landscapes provide both a peaceful retreat and an endless supply of headaches (some more dangerous than you may think) and every moment is entertaining whether you've ever had the desire to live on a farm yourself (I personally, have not).
At one point when their pig, Emma, is giving birth to what seems like an endless amount of piglets, Molly smiles with delight and says "I love our life!"
I, for one, loved watching their life.
~~~
Sunday, June 02, 2019
Wine Calling
Today I screened Wine Calling, a documentary about French wine producers who are committed to producing their wines with natural methods.
Even if you're not a wine snob, you can probably appreciate the elegance of a great glass of vino, made with care in one of the most beautiful regions in the world. If so, you may enjoy this casual journey to meet some of the passionate winemakers in the French Riviera, dedicated to leaving the unnatural "extras" out.
What I enjoyed: The people behind the wines who in many cases started from scratch and built up their brands with good, old-fashioned hard work. Hearing from the makers directly and realizing how down-to-earth they truly are resolves any perception of pretentiousness. They also make a great case for their reasoning behind natural wine production.
What I didn't enjoy: A lot of B-roll with dogs playing, kids frolicking, grassy hills, etc. set to music that didn't always match the vibe the narrative was creating. I'm not adverse to non-linear storytelling, but sometimes the jumping from one frame to another seemed unnecessary.
I did, however, want to drink an entire bottle of wine once the film concluded, so perhaps it was more effective than I'm giving it credit for delivering.
~~~
Wine Calling screened at the 45th Annual Seattle International Film Festival.
Even if you're not a wine snob, you can probably appreciate the elegance of a great glass of vino, made with care in one of the most beautiful regions in the world. If so, you may enjoy this casual journey to meet some of the passionate winemakers in the French Riviera, dedicated to leaving the unnatural "extras" out.
What I enjoyed: The people behind the wines who in many cases started from scratch and built up their brands with good, old-fashioned hard work. Hearing from the makers directly and realizing how down-to-earth they truly are resolves any perception of pretentiousness. They also make a great case for their reasoning behind natural wine production.
What I didn't enjoy: A lot of B-roll with dogs playing, kids frolicking, grassy hills, etc. set to music that didn't always match the vibe the narrative was creating. I'm not adverse to non-linear storytelling, but sometimes the jumping from one frame to another seemed unnecessary.
I did, however, want to drink an entire bottle of wine once the film concluded, so perhaps it was more effective than I'm giving it credit for delivering.
~~~
Wine Calling screened at the 45th Annual Seattle International Film Festival.
Wednesday, February 20, 2019
Documentary Short Nominees (Oscars 2019)
Tonight I saw all five of the nominated films in the Documentary Short category. I'll present my reviews in the order the films were shown.
BLACK SHEEP (UNITED KINGDOM)
A first-person narrative by an African boy whose mother moved their family from London to Essex to be less susceptible to racist violence. Unfortunately, the area they moved to was run by racists and he suffered terrible bullying at the hands of the street kids. His solution was to become more like them so they would leave him alone ... and it worked.
A classic story of becoming a monster to defeat a monster.
END GAME (UNITED STATES)
An intimate look at several patients who are near death and their many caretakers working to make their last days and weeks the best they can be. By the time the credits are rolling you are invested in what happens to each and every one of these lovely people.
A testament to the good that remains in our world and the agony of the tough decisions that have to be made as we all exit this earth.
A NIGHT AT THE GARDEN (UNITED STATES)
Archival footage provides the burden of proof that 20,000 Americans gathered to celebrate the Nazi movement rising in 1939. This short film reminds us that even in our most diverse of cities, hate can fester and grow.
Chilling, horrific and sadly timely for today.
LIFEBOAT (UNITED STATES)
The organization Sea Watch, a German nonprofit, is responsible for saving over 35,000 people by rescuing refugees from the rough Mediterranean waters. This film explores the lengths they go to on a daily basis to perform those rescues and the severe trauma of the journey.
This serves as a sad reminder of what refugees face as they flee their unsafe home countries.
PERIOD. END OF SENTENCE. (UNITED STATES)
Women in a small Indian village are shamed by their menstruation cycles and finally they may be taking steps to overcome this—by producing modern sanitary napkins and selling them to area women.
An inspiring, uplifting look at female empowerment, entrepreneurship and necessary cultural shifts.
~~~
So, what's my pick to win? End Game will undoubtedly stay with me the longest, so that gets my vote.
Sunday, February 03, 2019
Free Solo
Today I saw the documentary, Free Solo, about the life of Alex Honnold.
You know a documentary is good when you have absolutely zero interest in the topic, yet it grabs you from the first few frames and keeps you until the final credits. That was my experience here, watching nearly two hours of scenes about rock climbing.
Alex Honnold is an almost-fearless climber. He has turned his hobby into his career and as a result has very few human connections. He remarks that friends and former girlfriends have concluded he's not normal (which he attempts to validate with an MRI that admittedly has telling results), but he proclaims this with more curiosity than contempt.
Digging into Honnold's past, we learn that his immediate family was never affectionate and that he had to 'learn' to be a hugger in his '20s. His relationship with his current girlfriend (who he met in Seattle at his own book signing) shows that he still struggles with emotional maturity, but he's chosen a wonderful, patient partner to navigate that with him.
His main quest throughout the film is to 'free solo' (climb without using ropes) the vertical El Capitan peak at Yosemite National Park. This is challenging for countless reasons: it's never been done before; the camera crew interferes with his concentration and sometimes his physical movements; there's a section of the rock that's slippery, etc. The part about falling to his death if he screws it up seems to be the least of his concerns, though his loved ones—especially his girlfriend—understandably agonize about it frequently.
If you've watched the news in the past year, you know how this ends, but the journey of it is no less nail-biting as even his own film crew turns around at a certain point because they can't bear to watch if he doesn't make it.
It's a thrilling path to watch, though one I'd never have a desire to replicate. However, the human spirit setting an unimaginable goal and reaching it? That's the stuff of [good] movies.
~~~
You know a documentary is good when you have absolutely zero interest in the topic, yet it grabs you from the first few frames and keeps you until the final credits. That was my experience here, watching nearly two hours of scenes about rock climbing.
Alex Honnold is an almost-fearless climber. He has turned his hobby into his career and as a result has very few human connections. He remarks that friends and former girlfriends have concluded he's not normal (which he attempts to validate with an MRI that admittedly has telling results), but he proclaims this with more curiosity than contempt.
Digging into Honnold's past, we learn that his immediate family was never affectionate and that he had to 'learn' to be a hugger in his '20s. His relationship with his current girlfriend (who he met in Seattle at his own book signing) shows that he still struggles with emotional maturity, but he's chosen a wonderful, patient partner to navigate that with him.
His main quest throughout the film is to 'free solo' (climb without using ropes) the vertical El Capitan peak at Yosemite National Park. This is challenging for countless reasons: it's never been done before; the camera crew interferes with his concentration and sometimes his physical movements; there's a section of the rock that's slippery, etc. The part about falling to his death if he screws it up seems to be the least of his concerns, though his loved ones—especially his girlfriend—understandably agonize about it frequently.
If you've watched the news in the past year, you know how this ends, but the journey of it is no less nail-biting as even his own film crew turns around at a certain point because they can't bear to watch if he doesn't make it.
It's a thrilling path to watch, though one I'd never have a desire to replicate. However, the human spirit setting an unimaginable goal and reaching it? That's the stuff of [good] movies.
~~~
Sunday, October 28, 2018
Tea With the Dames
Today I saw Tea With the Dames, starring four British Dames.
Four women have been friends for decades and regularly get together in the English countryside for tea and conversation. It's only an afterthought that all of these individuals happen to be official Dames. Dame Maggie Smith, Dame Judi Dench, Dame Eileen Atkins and Dame Joan Plowright (who is also a Lady as a result of her marriage to Sir Laurence Olivier), to be exact.
Four women who are all stars of the stage and screen. Four women who have worked together, competed for roles and raised their families alongside one another. To say that their conversations are interesting would be an understatement. Though they may struggle with hearing at times, and Joan has lost much of her eyesight, they are as sharp (and hilarious) as ever.
The filmmakers did a lovely job of splicing in clips of the theater performances, films and television shows that they discuss, as well as footage of them with their husbands, families and each other over time. It's like watching a living scrapbook, complete with narration by its subjects.
I'm familiar with much of the work of these wonderful ladies, but I had no idea how personally intertwined they all are and am happy knowing that they've had other similar women to lean on all these years.
If you're in the mood for something light yet sentimental, give this a go. You'll leave the theater smiling.
~~~
Sunday, October 21, 2018
Pick of the Litter
Today I saw the documentary, Pick of the Litter, starring Patriot, Potomac, Primrose, Poppet and Phil.
The story follows five puppies from birth through training, right up to decision day as part of the Guide Dogs for the Blind program. The nonprofit places qualified dogs with visually impaired persons to help them navigate life.
Dogs are bred specifically for the purpose of breeding or becoming guides, and those who do not make the cut after rigorous conditioning are "career changed" (which is a polite way of saying they're fired and going to live their lives out as a normal pet, or perhaps passed along to another organization who will work with their shortcomings to make them useful in other scenarios). Some of the most delightful of dogs are "career changed."
The puppies begin with "puppy raisers" who provide a loving, disciplined home for their first few months of life and record their behaviors to report back to the folks at the nonprofit. If the experts don't think the 'child-rearing' is preparing the puppies well enough, they will be re-assigned to raisers who have more experience. We see this happen during the film and it's hard on all involved, though it's most likely what's best for the animal.
After they have lived out their youth with their host families, they return to the Guide Dogs for the Blind campus for one-to-one training with an expert who schools them in everything from obedience to traffic reactions. Once those classes are complete, they are tested in five areas of excellence and must pass all five to become official guide dogs. Only a few from the group we take the journey with will make it.
We also see the impact to the recipients of the dogs; a man who has been blind since 18 months and a woman who lost her sight over several decades. Both are thrilled to be receiving these helpful friends and have waited great lengths of time to meet them.
Basically, this is the perfect film for the state of the world we're in right now. You'll laugh, you'll cry (in a cathartic way), you'll audibly "awww" several times and have your faith in humanity restored. Plus, you'll learn a lot about the wonderful people and animals who work every day to make this place a better world.
~~~
The story follows five puppies from birth through training, right up to decision day as part of the Guide Dogs for the Blind program. The nonprofit places qualified dogs with visually impaired persons to help them navigate life.
Dogs are bred specifically for the purpose of breeding or becoming guides, and those who do not make the cut after rigorous conditioning are "career changed" (which is a polite way of saying they're fired and going to live their lives out as a normal pet, or perhaps passed along to another organization who will work with their shortcomings to make them useful in other scenarios). Some of the most delightful of dogs are "career changed."
The puppies begin with "puppy raisers" who provide a loving, disciplined home for their first few months of life and record their behaviors to report back to the folks at the nonprofit. If the experts don't think the 'child-rearing' is preparing the puppies well enough, they will be re-assigned to raisers who have more experience. We see this happen during the film and it's hard on all involved, though it's most likely what's best for the animal.
After they have lived out their youth with their host families, they return to the Guide Dogs for the Blind campus for one-to-one training with an expert who schools them in everything from obedience to traffic reactions. Once those classes are complete, they are tested in five areas of excellence and must pass all five to become official guide dogs. Only a few from the group we take the journey with will make it.
We also see the impact to the recipients of the dogs; a man who has been blind since 18 months and a woman who lost her sight over several decades. Both are thrilled to be receiving these helpful friends and have waited great lengths of time to meet them.
Basically, this is the perfect film for the state of the world we're in right now. You'll laugh, you'll cry (in a cathartic way), you'll audibly "awww" several times and have your faith in humanity restored. Plus, you'll learn a lot about the wonderful people and animals who work every day to make this place a better world.
~~~
Wednesday, July 25, 2018
The 10 Documentaries I Tell Everyone to See
A recent conversation about the greatness of a documentary in theaters today prompted me to create this list; just keep in mind that I omitted music documentaries from possible inclusion because that's a list of its own.
10. CRUMB, 1995
This film about cult cartoonist Robert Crumb took the Grand Jury Prize at Sundance and it's not hard to see why. He came from a family of damaged souls, and of course battled his own demons. Perhaps too dark to be nominated for an Oscar, the film community understandably embraced it.
If you're discovering it for the first time, I highly recommend the Criterion Collection version, which features a commentary with the late Roger Ebert.
9. TIG, 2015
Who can endure a breakup, a near-fatal illness, the death of a parent and a cancer diagnosis ... then go on stage in front of a hundred guests and laugh about it? The incomparable comic, Tig Notaro, who tells her story in this oddly hilarious movie. My original review, when it debuted at the Seattle International Film Festival, is here.
At the time of this writing, you can stream this on Netflix.
8. MY FLESH AND BLOOD, 2004
Susan Tom is a single mother in California who has two biological children and 11 adopted, special needs children. This film chronicles a year in their life, which is run as efficiently as a military operation, but exposes the emotional gaps that result from a parent being spread so thin and gets at the reasons why Ms. Tom seems to be hoarding humans. Michael and I discuss this on a classic episode of Cinebanter.
This film is available on iTunes.
7. CAPTURING THE FRIEDMANS, 2003
What began as a film about kids' birthday party entertainers soon turns into a portrait of a severely dysfunctional family. With two family members accused of sexual abuse (yet maintaining their innocence) the film leaves the audience wondering—if the charges are true, is pedophilia genetic? Note: this is one of the rare instances where I recommend not reading anything about the film before going in. Let the horror unfold and wash over you organically.
Available on demand via HBO GO, this film is still in rotation on the network as well.
6. ETHEL, 2012
If there's such a thing as a refreshing political documentary, this is it. Democrat or Republican, it's hard not to fall for the charms of RFK's widow Ethel Kennedy, who is profiled here by her daughter Rory. It's delightful, sad, surprising and inspiring. I wrote a gushing review of it for Cinebanter, when it played at SIFF and have seen it several times since. Every viewing is a pleasure.
This film can be found in DVD format via Amazon.
5. THE TIMES OF HARVEY MILK, 1984
Though Sean Penn's Oscar-winning turn as the famous politician in the fictionalized version, Milk, was nothing short of phenomenal, I dare say I prefer this documentary over it. Seeing the real people discuss their friend and leader, and with archival footage of Milk himself, the powerful nature of his life and death become all the more luminous. Michael and I discussed it in this episode of Cinebanter.
You can rent this film via Amazon Prime.
4. MARWENCOL, 2010
This is one of those films you walk out of and say to yourself, "What just happened?" I loved it when I saw it at SIFF and was excited to learn a fictional version of it starring Steve Carell called Welcome to Marwen will be released later this year.
You can watch this film via iTunes.
3. DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER, 2008
Only listen to our Cinebanter episode where we talk about this after you've watched the film, because there are spoilers at every turn. This has everything—joy, drama, mystery, horror—you name it. At heart, it's just a story about a father and son and the influence that destroys their lives. By the time I'd finally recovered from seeing it (two years later) I ended up at a Cinequest table with the director, and over drinks gasped all over again hearing additional details that salted the wounds.
You can stream this free with an Amazon Prime membership.
2. FINDING VIVIAN MAIER, 2014
Imagine being infinitely gifted in a medium of art but living your entire life telling no one about that gift, having an alternate career and then dying with a full storage unit of your work that may or may not be discovered. That was the way of Vivian Maier, an immigrant nanny who was also a stunning photographer. Read my original review here. And like I did, find an exhibit of her photos (they regularly tour) and take them all in.
This film is available for purchase on Amazon.
1. PARADISE LOST TRILOGY, 1996, 2000 & 2011
I never thought I'd develop a crush on a convicted killer, but that's what happened when I saw Damien Echols in these films for the first time. It's a harrowing story of a brutal murder of three children and the three innocent teenagers (dubbed the "West Memphis Three") who were convicted of killing them. At the urging of my Cinebanter partner, Michael, I caught up with the first two and we discussed them on our show; the third one I saw in the theater when it was released and then met Damien and his wife at an event three years later.
All three films are sold in a collection via Amazon. Note: After watching, be sure to google the footage of their release if you want a good cry.
10. CRUMB, 1995
This film about cult cartoonist Robert Crumb took the Grand Jury Prize at Sundance and it's not hard to see why. He came from a family of damaged souls, and of course battled his own demons. Perhaps too dark to be nominated for an Oscar, the film community understandably embraced it.
If you're discovering it for the first time, I highly recommend the Criterion Collection version, which features a commentary with the late Roger Ebert.
9. TIG, 2015
Who can endure a breakup, a near-fatal illness, the death of a parent and a cancer diagnosis ... then go on stage in front of a hundred guests and laugh about it? The incomparable comic, Tig Notaro, who tells her story in this oddly hilarious movie. My original review, when it debuted at the Seattle International Film Festival, is here.
At the time of this writing, you can stream this on Netflix.
8. MY FLESH AND BLOOD, 2004
Susan Tom is a single mother in California who has two biological children and 11 adopted, special needs children. This film chronicles a year in their life, which is run as efficiently as a military operation, but exposes the emotional gaps that result from a parent being spread so thin and gets at the reasons why Ms. Tom seems to be hoarding humans. Michael and I discuss this on a classic episode of Cinebanter.
This film is available on iTunes.
7. CAPTURING THE FRIEDMANS, 2003
What began as a film about kids' birthday party entertainers soon turns into a portrait of a severely dysfunctional family. With two family members accused of sexual abuse (yet maintaining their innocence) the film leaves the audience wondering—if the charges are true, is pedophilia genetic? Note: this is one of the rare instances where I recommend not reading anything about the film before going in. Let the horror unfold and wash over you organically.
Available on demand via HBO GO, this film is still in rotation on the network as well.
6. ETHEL, 2012
If there's such a thing as a refreshing political documentary, this is it. Democrat or Republican, it's hard not to fall for the charms of RFK's widow Ethel Kennedy, who is profiled here by her daughter Rory. It's delightful, sad, surprising and inspiring. I wrote a gushing review of it for Cinebanter, when it played at SIFF and have seen it several times since. Every viewing is a pleasure.
This film can be found in DVD format via Amazon.
5. THE TIMES OF HARVEY MILK, 1984
Though Sean Penn's Oscar-winning turn as the famous politician in the fictionalized version, Milk, was nothing short of phenomenal, I dare say I prefer this documentary over it. Seeing the real people discuss their friend and leader, and with archival footage of Milk himself, the powerful nature of his life and death become all the more luminous. Michael and I discussed it in this episode of Cinebanter.
You can rent this film via Amazon Prime.
4. MARWENCOL, 2010
This is one of those films you walk out of and say to yourself, "What just happened?" I loved it when I saw it at SIFF and was excited to learn a fictional version of it starring Steve Carell called Welcome to Marwen will be released later this year.
You can watch this film via iTunes.
3. DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER, 2008
Only listen to our Cinebanter episode where we talk about this after you've watched the film, because there are spoilers at every turn. This has everything—joy, drama, mystery, horror—you name it. At heart, it's just a story about a father and son and the influence that destroys their lives. By the time I'd finally recovered from seeing it (two years later) I ended up at a Cinequest table with the director, and over drinks gasped all over again hearing additional details that salted the wounds.
You can stream this free with an Amazon Prime membership.
2. FINDING VIVIAN MAIER, 2014
Imagine being infinitely gifted in a medium of art but living your entire life telling no one about that gift, having an alternate career and then dying with a full storage unit of your work that may or may not be discovered. That was the way of Vivian Maier, an immigrant nanny who was also a stunning photographer. Read my original review here. And like I did, find an exhibit of her photos (they regularly tour) and take them all in.
This film is available for purchase on Amazon.
1. PARADISE LOST TRILOGY, 1996, 2000 & 2011
I never thought I'd develop a crush on a convicted killer, but that's what happened when I saw Damien Echols in these films for the first time. It's a harrowing story of a brutal murder of three children and the three innocent teenagers (dubbed the "West Memphis Three") who were convicted of killing them. At the urging of my Cinebanter partner, Michael, I caught up with the first two and we discussed them on our show; the third one I saw in the theater when it was released and then met Damien and his wife at an event three years later.
All three films are sold in a collection via Amazon. Note: After watching, be sure to google the footage of their release if you want a good cry.
Three Identical Strangers
On Monday I saw the documentary Three Identical Strangers.
In 1980, Bobby Shafran, Eddy Galland and David Kellman discovered they were triplets. They grew up in separate households within 100 miles from one another, all adopted from the same agency. They had no prior knowledge they were part of a multiple birth, nor did their adoptive parents. But they were grateful to have found one another and became fast friends.
The triplets moved in together, went into business together and went clubbing together. They enjoyed instant fame and took advantage of all the perks it provided.
The parents, on the other hand, wanted answers. They returned to the agency where they'd adopted their boys and demanded to know why they weren't told they were triplets. They were told they would have been harder to place if kept together—but that wasn't the truth.
In reality, the triplets and dozens of other twins were part of an elaborate secret study trying to determine the power of nurture over nature. Case workers visited their houses as they grew up to observe their behavior, interview them, film them and learn about their habits—all under the guise of a study that was just meant to study adopted children.
Once they discover this deceit, they search for those who can provide answers, and the tale gets even more twisted from there. Laced with tragedy and pain, the true magnitude of how many people the study impacted may never be known.
The film was excellent, but is shot like a news magazine so there's nothing new to the storytelling. Also, I wish they hadn't repeated a few of the clips multiple times because that diluted, instead of strengthened, the point they were trying to make.
Still, well worth seeing for the story itself, which confirms that truth remains stranger than fiction.
~~~
In 1980, Bobby Shafran, Eddy Galland and David Kellman discovered they were triplets. They grew up in separate households within 100 miles from one another, all adopted from the same agency. They had no prior knowledge they were part of a multiple birth, nor did their adoptive parents. But they were grateful to have found one another and became fast friends.
The triplets moved in together, went into business together and went clubbing together. They enjoyed instant fame and took advantage of all the perks it provided.
The parents, on the other hand, wanted answers. They returned to the agency where they'd adopted their boys and demanded to know why they weren't told they were triplets. They were told they would have been harder to place if kept together—but that wasn't the truth.
In reality, the triplets and dozens of other twins were part of an elaborate secret study trying to determine the power of nurture over nature. Case workers visited their houses as they grew up to observe their behavior, interview them, film them and learn about their habits—all under the guise of a study that was just meant to study adopted children.
Once they discover this deceit, they search for those who can provide answers, and the tale gets even more twisted from there. Laced with tragedy and pain, the true magnitude of how many people the study impacted may never be known.
The film was excellent, but is shot like a news magazine so there's nothing new to the storytelling. Also, I wish they hadn't repeated a few of the clips multiple times because that diluted, instead of strengthened, the point they were trying to make.
Still, well worth seeing for the story itself, which confirms that truth remains stranger than fiction.
~~~
Sunday, May 27, 2018
Won't You Be My Neighbor?
Last night I saw Won't You Be My Neighbor?—a documentary about the career of Fred Rogers.
Through archival footage of the legendary Mister Rogers' Neighborhood program to old interviews with Rogers himself and current discussions with his family, friends and colleagues, Director Morgan Neville pieces together a triumphant public life.
It's not a biography in the sense that we see Mr. Rogers' life story, because we don't—in fact very little time is spent on his life before becoming the iconic children's show host—but that's okay. What we do see is so moving and sweet, it's well worth the price of admission. Aside from his television persona, we learn he behaved the same way (letting kindness be his guide) in real life and had a great sense of humor as well.
The Pittsburgh-based minister who had an uncommon (but perfectly respectable) affection for children broke through more barriers that my young self, an avid watcher of the show in the late '70s and early '80s, remembers. I don't recall the episode where he invited the black cop to join him in the pool shortly after an incident in real life where whites poured cleaning agents into a community pool to chase the black people out. I don't remember his acceptance of gay people or his hard discussions with kids about divorce.
But all of those episodes happened, and our world was better for it.
What I do remember was the calming voice of a man who felt like the grandfather I never knew; a man who was far more gentle than the men I grew up around. A place where puppets had lives, music was plentiful and cardigans were always in style.
This documentary couldn't have come at a more perfect time—our world is in desperate need of folks who demonstrate kindness as a way of life.
It should be required viewing in all schools, workplaces and houses of worship. We need the refresher course.
~~~
Through archival footage of the legendary Mister Rogers' Neighborhood program to old interviews with Rogers himself and current discussions with his family, friends and colleagues, Director Morgan Neville pieces together a triumphant public life.
It's not a biography in the sense that we see Mr. Rogers' life story, because we don't—in fact very little time is spent on his life before becoming the iconic children's show host—but that's okay. What we do see is so moving and sweet, it's well worth the price of admission. Aside from his television persona, we learn he behaved the same way (letting kindness be his guide) in real life and had a great sense of humor as well.
The Pittsburgh-based minister who had an uncommon (but perfectly respectable) affection for children broke through more barriers that my young self, an avid watcher of the show in the late '70s and early '80s, remembers. I don't recall the episode where he invited the black cop to join him in the pool shortly after an incident in real life where whites poured cleaning agents into a community pool to chase the black people out. I don't remember his acceptance of gay people or his hard discussions with kids about divorce.
But all of those episodes happened, and our world was better for it.
What I do remember was the calming voice of a man who felt like the grandfather I never knew; a man who was far more gentle than the men I grew up around. A place where puppets had lives, music was plentiful and cardigans were always in style.
This documentary couldn't have come at a more perfect time—our world is in desperate need of folks who demonstrate kindness as a way of life.
It should be required viewing in all schools, workplaces and houses of worship. We need the refresher course.
~~~
Tuesday, May 22, 2018
RGB
Last night I saw RGB, a documentary about Supreme Court Justice Ruth Bader Ginsburg.
Most Americans are aware of the liberal-leaning Supreme Court Justice who has adapted the nickname "Notorious RGB," but few probably know all that she's accomplished in her 80+ years on earth.
Here are just a few things she's done:
Most Americans are aware of the liberal-leaning Supreme Court Justice who has adapted the nickname "Notorious RGB," but few probably know all that she's accomplished in her 80+ years on earth.
Here are just a few things she's done:
- Became the second female justice ever appointed to the Supreme Court.
- Was one of just a dozen women at Harvard Law School.
- Graduated first in her law school class at Columbia.
- Nursed her husband through cancer.
- Raised two children.
- Was a professor at Rutgers School of Law.
- Was a volunteer lawyer for the ACLU before becoming one of its General Counsels.
- Survived cancer (twice).
- Co-founded the first law journal to focus exclusively on women's rights.
The list goes on.
This charming film mixes interviews with Justice Ginsburg, her family, journalists, politicians, friends and foes with archive footage from her illustrious career to tell her entire story (so far).
Despite her age, you get the sense she's just getting started and I can't think of a more inspirational role model for women to spotlight.
A simply perfect film.
Saturday, February 10, 2018
Documentary Short Film Nominees (Oscars 2018)
Today I saw all five of the nominated films in the Documentary Short category. I'll present my reviews in the order the films were shown.
TRAFFIC STOP (USA)
Director Kate Davis gives us a first-hand look at a subject that's all-too-familiar across our country: white police misusing their power on black citizens. In this case, the city is Austin, Texas (often known for its liberal, accepting nature) and the victim is Breaion King, a 26-year-old schoolteacher, who is caught speeding and pulls into a Wendy's parking lot. There, the white cops treat her like a violent criminal (though all she's does is question why she's being arrested) and toss her around like a rag doll (a gifted dancer, she's only 112 lbs.)—she sustains physical injuries that were completely avoidable and emotional damage from which she may never recover. Should be required viewing for all cadets entering the force—in any town.
EDITH + EDDIE (USA)
In the lush greenery of a quiet neighborhood in Alexandria, Virginia lives Eddie, a 95-year-old white man and Edith, his 96-year-old black wife. They share a happy existence, attending church with their community and enjoying the picturesque water near their home. Their happiness is disrupted when Edith's daughter Patricia, anxious to sell her house, challenges her sister Rebecca for custodial rights to their mother. Since they can't come to an agreement, a stranger is appointed legal guardian and threatens to separate the beautiful life Eddie & Edith built. I could barely make it through this one; as the laws meant to protect elders in this case are doing just the opposite. Frustrating and painful to watch, but incredibly well done.
HEAVEN IS A TRAFFIC JAM ON THE 405 (USA)
Mindy Alper is an accomplished artist with works exhibited in one of the top Los Angeles galleries, but she has struggled all her life with severe mental health issues. These problems have pulled her to and from her family, and her art over the course of her 56 years. This film allows Mindy—and those closest to her—to share her story unfiltered and shows how powerful validation can be on one's journey toward contentment.
HEROIN(E) (USA)
Many may write off Huntington, West Virginia as a lost cause for a town considering its overdose rates are 10 times that of the national average—but there are three women in the community who refuse to give up on these citizens and this film tells their story. Necia runs the Brown Bag Ministry, handing out meals and finding shelter for addicted working girls on the street; Jan is the fire chief who personally saves countless lives when addicts overdose; Patricia is the drug court judge who holds sobriety graduation ceremonies for her criminals who go clean. The love is there and because of that love there is hope.
KNIFE SKILLS (USA)
A lot rests on the opening of Edwins restaurant in Cleveland. It's not just another place in the city to eat; it's a life-changing factory for recently released inmates who are working toward a better life. The founder himself is a former convict and he recognizes what's at stake by trusting these new recruits. He also knows that he'll never find more loyal or dedicated staff members because everyone on his team has something to prove. As expected, they all don't make it to the finish line, but for the ones who do the results are inspiring. Most of all, we're reminded that when it comes to reforming criminals, there's a better way to do it than the usual: Just give them a sense of purpose.
~~~
Tuesday, January 02, 2018
Jane
Yesterday I saw Jane, a documentary about the life of Jane Goodall.
A 26-year-old secretary is probably not the first person you'd expect to be deployed to Africa to study chimpanzees close up, but that's exactly what happened to Jane Goodall. She was an animal lover, a quick study and academically ignorant since she hadn't attended college, so her boss thought her the perfect choice. Turns out, he was right.
For over 50 years, Ms. Goodall has conducted the most extensive research on primates in history. Her ability to integrate seamlessly into their communities enables her to get closer to their families, which yields more intimate glimpses into how they live and love. In this film, Director Brett Morgen blends archive footage from National Geographic with narration and present-day interviews with Ms. Goodall to create the complete journey of her life.
I'd be lying if I said I didn't get tired of seeing young Ms. Goodall flirtatiously smirk toward the lens (which was at the time being pointed by her future husband, who was a photographer hired by the magazine), but I did appreciate the many scenes of authentic interactions between her and the chimps, and the chimps among themselves.
Though what she was/is doing is undoubtedly dangerous (primates aren't the only wild animals roaming Africa, of course), it does show that species can peacefully co-exist and does remind us that the world is full of intelligent, emotional creatures.
Anyone who sees this will feel they are entering a world they'd never otherwise get to witness.
~~~
A 26-year-old secretary is probably not the first person you'd expect to be deployed to Africa to study chimpanzees close up, but that's exactly what happened to Jane Goodall. She was an animal lover, a quick study and academically ignorant since she hadn't attended college, so her boss thought her the perfect choice. Turns out, he was right.
For over 50 years, Ms. Goodall has conducted the most extensive research on primates in history. Her ability to integrate seamlessly into their communities enables her to get closer to their families, which yields more intimate glimpses into how they live and love. In this film, Director Brett Morgen blends archive footage from National Geographic with narration and present-day interviews with Ms. Goodall to create the complete journey of her life.
I'd be lying if I said I didn't get tired of seeing young Ms. Goodall flirtatiously smirk toward the lens (which was at the time being pointed by her future husband, who was a photographer hired by the magazine), but I did appreciate the many scenes of authentic interactions between her and the chimps, and the chimps among themselves.
Though what she was/is doing is undoubtedly dangerous (primates aren't the only wild animals roaming Africa, of course), it does show that species can peacefully co-exist and does remind us that the world is full of intelligent, emotional creatures.
Anyone who sees this will feel they are entering a world they'd never otherwise get to witness.
~~~
Friday, December 15, 2017
Voyeur
Today I saw the documentary Voyeur.
In the late '60s, Gerald Foos bought a motel in Aurora, Colorado for the sole purpose of voyeurism. He built a platform in the attic and drilled a viewing panel underneath fake air vents so he could see his guests, but not be seen by them.
On this platform he spent endless days and nights witnessing random private behaviors, intimate sexual acts and once, even a murder. He doesn't express remorse or guilt over all of this because he saw himself at the time as a researcher, not unlike famed doctors Masters and Johnson (though their subjects always knew when they were watching).
Of course, his "research" wasn't always clinical, as he did confess to the sexual pleasure derived from witnessing it. But he did keep meticulous records of the guests and their actions (orgasms included).
In the early '80s, Foos wrote a letter to journalist Gay Talese, who had authored a saucy book, The Neighbor's Wife, about the fluid sex lives of Americans. Foos confessed his practices and offered the story to Talese because he felt it needed to be told. Talese kept the knowledge of this tricked-out motel confidential (even visiting and witnessing acts himself) and spent decades learning all about Foos and his obsessions.
A documentary crew got involved and chronicled the journey of Talese writing the book and regularly meeting with Foos, and that's the finished film we get here.
Though it sounds X-rated, this movie plays it safe with only brief nudity and references to sexual behaviors as part of the reenactments. Really, it's primarily talking head video of the journalist and his subject, the friends they become and the battles they get into as the years go on.
I was intrigued by the subject matter (and the fact Foos was never convicted of any crimes) but must admit after the story was told, I began to find all of the major players quite sad.
It's interesting enough not to walk away from, but not captivating enough to leave you wanting more.
~~~
In the late '60s, Gerald Foos bought a motel in Aurora, Colorado for the sole purpose of voyeurism. He built a platform in the attic and drilled a viewing panel underneath fake air vents so he could see his guests, but not be seen by them.
On this platform he spent endless days and nights witnessing random private behaviors, intimate sexual acts and once, even a murder. He doesn't express remorse or guilt over all of this because he saw himself at the time as a researcher, not unlike famed doctors Masters and Johnson (though their subjects always knew when they were watching).
Of course, his "research" wasn't always clinical, as he did confess to the sexual pleasure derived from witnessing it. But he did keep meticulous records of the guests and their actions (orgasms included).
In the early '80s, Foos wrote a letter to journalist Gay Talese, who had authored a saucy book, The Neighbor's Wife, about the fluid sex lives of Americans. Foos confessed his practices and offered the story to Talese because he felt it needed to be told. Talese kept the knowledge of this tricked-out motel confidential (even visiting and witnessing acts himself) and spent decades learning all about Foos and his obsessions.
A documentary crew got involved and chronicled the journey of Talese writing the book and regularly meeting with Foos, and that's the finished film we get here.
Though it sounds X-rated, this movie plays it safe with only brief nudity and references to sexual behaviors as part of the reenactments. Really, it's primarily talking head video of the journalist and his subject, the friends they become and the battles they get into as the years go on.
I was intrigued by the subject matter (and the fact Foos was never convicted of any crimes) but must admit after the story was told, I began to find all of the major players quite sad.
It's interesting enough not to walk away from, but not captivating enough to leave you wanting more.
~~~
Sunday, August 06, 2017
An Inconvenient Sequel: Truth to Power
On Friday, I saw the documentary An Inconvenient Sequel: Truth to Power.
Anyone who watched the Oscar-winning first installment, An Inconvenient Truth, could tell that former Vice President Al Gore would make saving the environment his life's mission. This film confirms that.
Although there are flashbacks to his time in office, and scenes of him lamenting the results of the election that could have made him president, he has moved on with a Jimmy Carter-like spirit for making the most of his post-political career.
The crew follows him to Paris when the original Paris Agreement was made in the shadow of the horrific terrorist attacks of 2015. He was in the heart of the city when those incidents occurred, and his remarks afterward will make even the toughest among us shed some tears.
The triumph of that global victory was unfortunately short-lived due to our current Commander-in-Chief pulling out of said Agreement just two months ago. Mr. Gore shows us why that was such a devastating blow to the progress that had been made and what we must do as citizens to continue the fight.
He can't resist bringing along his beloved PowerPoint presentations again to share some shocking bar graphs. He advances the slides that prove his point with blatant satisfaction—trouble is, we wish he weren't so right.
This is a crises of epic proportions. Future generations (if we haven't killed the human race by then) will shake their heads in disbelief at America's stupidity if we don't turn things around and make this right.
My favorite part of the film shows Gore meeting with a conservative Texan mayor who is on the right side of history, making his town an environmentally friendly model for the rest of the nation. Though he may disagree with liberal politics, he says that taking care of our earth is just "common sense," and has found a fiscally responsible way of doing it.
Unfortunately, the people who need to see this film probably won't. But if it gets just a few people to change their votes, to write some letters, to make some noise, it won't all have been for nothing.
~~~
Anyone who watched the Oscar-winning first installment, An Inconvenient Truth, could tell that former Vice President Al Gore would make saving the environment his life's mission. This film confirms that.
Although there are flashbacks to his time in office, and scenes of him lamenting the results of the election that could have made him president, he has moved on with a Jimmy Carter-like spirit for making the most of his post-political career.
The crew follows him to Paris when the original Paris Agreement was made in the shadow of the horrific terrorist attacks of 2015. He was in the heart of the city when those incidents occurred, and his remarks afterward will make even the toughest among us shed some tears.
The triumph of that global victory was unfortunately short-lived due to our current Commander-in-Chief pulling out of said Agreement just two months ago. Mr. Gore shows us why that was such a devastating blow to the progress that had been made and what we must do as citizens to continue the fight.
He can't resist bringing along his beloved PowerPoint presentations again to share some shocking bar graphs. He advances the slides that prove his point with blatant satisfaction—trouble is, we wish he weren't so right.
This is a crises of epic proportions. Future generations (if we haven't killed the human race by then) will shake their heads in disbelief at America's stupidity if we don't turn things around and make this right.
My favorite part of the film shows Gore meeting with a conservative Texan mayor who is on the right side of history, making his town an environmentally friendly model for the rest of the nation. Though he may disagree with liberal politics, he says that taking care of our earth is just "common sense," and has found a fiscally responsible way of doing it.
Unfortunately, the people who need to see this film probably won't. But if it gets just a few people to change their votes, to write some letters, to make some noise, it won't all have been for nothing.
~~~
Sunday, June 04, 2017
SIFF Sighting: WINNIE (documentary; France)
Last night I screened Winnie, a documentary about South African leader Winnie Mandela.
Though I'd seen countless documentaries and films about her former husband Nelson, I'd never seen a film dedicated to Winnie's story alone, so it's good I began with this one.
Things I learned:
- She was much angrier than her husband, even at the time of his imprisonment.
- She was treated horribly, with repeated arrests and harassment throughout the saga.
- She makes no apologies for her actions, but admits the years of bloodshed should never have happened.
- She is blamed to this day for a murder by activists loyal to her (some claim she ordered it).
- She has no desire to slow her activism, though she is now over 80 years of age.
It was a solid film, though difficult to watch in many places because of the archival footage. I especially appreciated the candid insight from Mandela herself and her daughter.
~~~
Winnie screened at the 43rd annual Seattle International Film Festival.
Friday, February 10, 2017
Documentary Short Film Nominees (Oscars® 2017)
Tonight I saw all five of the nominated films in the Documentary Short category. I'll present my reviews in the order they were shown.
JOE'S VIOLIN (USA)
Joseph Feingold survived the horrors of the Holocaust (though some of his family didn't). When he came to the United States after the war to begin a new life, he went to a flea market and bought a violin. It cost him only a carton of cigarettes and became his constant companion for over 70 years. When he heard an announcement that there was an instrument drive for local schools, he decided to finally part with it, and it landed at the Bronx Global Learning Institute for Girls. There, 12-year-old Brianna Perez was chosen to borrow it during her time at the school. When she learned of the instrument's history, she invited Feingold to a performance. He went, and it was magical. This film is less than a half an hour long and I cried through at least half of it. Beautiful story, beautiful people, beautiful music.
EXTREMIS (USA)
Highland Hospital in Oakland, California treats patients of all walks of life in their Intensive Care Unit. This film showcases the work of Dr. Jessica Zitter, a palliative care specialist, and her team as they navigate their way through heartbreak after heartbreak, helping families make the toughest decisions of their lives. Their care, stress, compassion, intelligence and warmth are on raw display day after day, week after week. This short glimpse only captures a fraction of it, but reminds us who the real heroes are in this world.
4.1 MILES (USA)
Life as a Greek Coast Guard on the quiet island of Lesbos used to be stress-free for Captain Kyriakos Papadopoulos. That is, until the refugee crises began. Now his days are filled acting as a ferry between Turkey and his town as thousands risk their lives to cross the Aegean for a chance at a better life. He has no CPR or medical training, but continues to rescue and attempt to resuscitate those in need. Sometimes he succeeds; sometimes it's too late by the time the bodies float to his boat. Thinking of the times I splashed in that same Sea as a little girl, carefree and safe with my family in Greece, this film hit me especially hard. To see the terror in the eyes of parents not knowing if their children would live, or the fear in the children who were scarred by the horrors of war was borderline unbearable.
WATANI: MY HOMELAND (UK)
A Syrian couple tried to have children for eight years before conceiving, and then, God blessed them with four. Now their one son and three daughters dodge bullets and hide when shells come flying into their formerly peaceful neighborhood as their father, a Free Syrian Commander, dedicates his life to the revolution. Mom gives them cough syrup to relax, but they insist on staying by their father's side ... until their father is captured by ISIS. Unable to continue living in a constant state of chaos, the family seeks asylum in the small German town of Goslar. There they receive a clean home, a monthly salary and the warm welcome they so rightly deserve. They're grateful to their new hosts, but miss their family and homeland. The most in-depth look I've seen into the lives affected by the conflict, and one that will stay with me indefinitely.
THE WHITE HELMETS (UK)
As bombs fall onto their neighborhoods and explosions light up their Syrian skies, members of The White Helmets run toward the danger to rescue whomever survived or recover the bodies of those who did not. Members are former builders, former blacksmith—good, kind blue collar men that simply want to do the right thing in the midst of the most grim humanitarian conditions they'll ever face. Civilian volunteers with limited (or no) training who have saved over 58,000 lives to date. But those good deeds don't come without sacrifice. Each day they venture into the rubble is a day they may never come home. Many White Helmet lives have been lost "on the job." Despite this, they support each other like brothers (some even learn of their own deceased family members while being filmed for this documentary), crying, hugging and taking well-earned emotional breaks when they just can't keep going. Films like this should be mandatory in schools, in homes, in governments.
~~~
JOE'S VIOLIN (USA)
Joseph Feingold survived the horrors of the Holocaust (though some of his family didn't). When he came to the United States after the war to begin a new life, he went to a flea market and bought a violin. It cost him only a carton of cigarettes and became his constant companion for over 70 years. When he heard an announcement that there was an instrument drive for local schools, he decided to finally part with it, and it landed at the Bronx Global Learning Institute for Girls. There, 12-year-old Brianna Perez was chosen to borrow it during her time at the school. When she learned of the instrument's history, she invited Feingold to a performance. He went, and it was magical. This film is less than a half an hour long and I cried through at least half of it. Beautiful story, beautiful people, beautiful music.
EXTREMIS (USA)
Highland Hospital in Oakland, California treats patients of all walks of life in their Intensive Care Unit. This film showcases the work of Dr. Jessica Zitter, a palliative care specialist, and her team as they navigate their way through heartbreak after heartbreak, helping families make the toughest decisions of their lives. Their care, stress, compassion, intelligence and warmth are on raw display day after day, week after week. This short glimpse only captures a fraction of it, but reminds us who the real heroes are in this world.
4.1 MILES (USA)
Life as a Greek Coast Guard on the quiet island of Lesbos used to be stress-free for Captain Kyriakos Papadopoulos. That is, until the refugee crises began. Now his days are filled acting as a ferry between Turkey and his town as thousands risk their lives to cross the Aegean for a chance at a better life. He has no CPR or medical training, but continues to rescue and attempt to resuscitate those in need. Sometimes he succeeds; sometimes it's too late by the time the bodies float to his boat. Thinking of the times I splashed in that same Sea as a little girl, carefree and safe with my family in Greece, this film hit me especially hard. To see the terror in the eyes of parents not knowing if their children would live, or the fear in the children who were scarred by the horrors of war was borderline unbearable.
WATANI: MY HOMELAND (UK)
A Syrian couple tried to have children for eight years before conceiving, and then, God blessed them with four. Now their one son and three daughters dodge bullets and hide when shells come flying into their formerly peaceful neighborhood as their father, a Free Syrian Commander, dedicates his life to the revolution. Mom gives them cough syrup to relax, but they insist on staying by their father's side ... until their father is captured by ISIS. Unable to continue living in a constant state of chaos, the family seeks asylum in the small German town of Goslar. There they receive a clean home, a monthly salary and the warm welcome they so rightly deserve. They're grateful to their new hosts, but miss their family and homeland. The most in-depth look I've seen into the lives affected by the conflict, and one that will stay with me indefinitely.
THE WHITE HELMETS (UK)
As bombs fall onto their neighborhoods and explosions light up their Syrian skies, members of The White Helmets run toward the danger to rescue whomever survived or recover the bodies of those who did not. Members are former builders, former blacksmith—good, kind blue collar men that simply want to do the right thing in the midst of the most grim humanitarian conditions they'll ever face. Civilian volunteers with limited (or no) training who have saved over 58,000 lives to date. But those good deeds don't come without sacrifice. Each day they venture into the rubble is a day they may never come home. Many White Helmet lives have been lost "on the job." Despite this, they support each other like brothers (some even learn of their own deceased family members while being filmed for this documentary), crying, hugging and taking well-earned emotional breaks when they just can't keep going. Films like this should be mandatory in schools, in homes, in governments.
~~~
Saturday, October 08, 2016
The Beatles: Eight Days a Week — The Touring Years
Tonight I saw The Beatles: Eight Days a Week—The Touring Years, directed by Ron Howard.
Though I've probably seen every Beatles documentary in existence, I'm happy to report there are elements of this one that still feel fresh.
Director Ron Howard uses footage from familiar flashbacks such as the band's appearance on The Ed Sullivan Show to illustrate their journey from 1963 to the time they quit touring in 1966, spliced in with talking head interviews (both from the era and present day). He captures the intensity and madness that was Beatlemania, but without dwelling on the drama.
At the heart of the phenomenon were four friends: John, Paul, George and Ringo. As Lennon once said, "We were just a band who made it very, very big—that's all." Big indeed. In the three years covered in the film, the band performed over 250 concerts, each one arguably growing in fan intensity.
Before it became suffocating (and downright dangerous after Lennon's famous "bigger than Jesus" remark), the thrill of touring—and the fame that came with it—was intoxicating for the group. They were young men who got to use their collective creative genius to conquer the world. With that came money, women, adoration and years of fun.
Considering how they all sued each other and fought publicly in their later years, we sometimes forget how close these boys were in the beginning. They were basically brothers, and thankfully by the time two of the four passed, they'd found their way back to one another.
At one point in the film, their musical gifts are compared to Mozart. Some may call that exposition apples to oranges, but a good case is made as to why it's a just parallel. Above all else, the contemplation reminds us that extraordinary talents like John, Paul, George and Ringo, only happen once in a lifetime.
~~~
Though I've probably seen every Beatles documentary in existence, I'm happy to report there are elements of this one that still feel fresh.
Director Ron Howard uses footage from familiar flashbacks such as the band's appearance on The Ed Sullivan Show to illustrate their journey from 1963 to the time they quit touring in 1966, spliced in with talking head interviews (both from the era and present day). He captures the intensity and madness that was Beatlemania, but without dwelling on the drama.
At the heart of the phenomenon were four friends: John, Paul, George and Ringo. As Lennon once said, "We were just a band who made it very, very big—that's all." Big indeed. In the three years covered in the film, the band performed over 250 concerts, each one arguably growing in fan intensity.
Before it became suffocating (and downright dangerous after Lennon's famous "bigger than Jesus" remark), the thrill of touring—and the fame that came with it—was intoxicating for the group. They were young men who got to use their collective creative genius to conquer the world. With that came money, women, adoration and years of fun.
Considering how they all sued each other and fought publicly in their later years, we sometimes forget how close these boys were in the beginning. They were basically brothers, and thankfully by the time two of the four passed, they'd found their way back to one another.
At one point in the film, their musical gifts are compared to Mozart. Some may call that exposition apples to oranges, but a good case is made as to why it's a just parallel. Above all else, the contemplation reminds us that extraordinary talents like John, Paul, George and Ringo, only happen once in a lifetime.
~~~
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